Abstract
In-depth review of posthumous publication V.F. Perkins on Movies, edited by Douglas Pye. It’s a path through the British film critic’s thoughts and main objects of desire, enhancing the importance of an almost invisible style, elegant mise-en-scène and a subtle rapport to material reality. The filmic worlds of namely Max Ophüls, Alfred Hitchcock, Nicholas Ray and Frederick Wiseman are looked at with the analytical precision (the “dagger-gaze”) that this film critic’s writing deserves. Bazinian realism, the auteur theory and cinema as a kind of “gestural vocabulary” are also highlighted in this reading of Perkins’s critical art.
Original language | English |
---|---|
Pages (from-to) | 162-171 |
Number of pages | 10 |
Journal | Journal of Science and Technology of the Arts |
Volume | 13 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2021 |
Keywords
- Auteur theory
- Classicism
- Film criticism
- Film studies
- Mise-en-scène
- Modernity
- Realism