Abstract
In 1795, the Thuringian naturalist, physician, and illustrator Wilhelm Gottlieb Tilesius von Tilenau (1769-1857) visited Lisbon with Count Johann Centurius von Hoffmannsegg (1766-1849), his patron and amateur scientist. The trip did not go as planned and after a few months both returned to Germany. This expedition resulted, however, in a diary, never published, in which Tilesius described opera, sacred music and the soundscape of the streets of Lisbon. In this text, after a brief biographical
background, the musical content of this diary will be presented, which reveals itself not only as an excellent source of new and valuable information on the Portuguese cultural practices of the time, but also on the author’s mentality and, more broadly, on his cultural context.
background, the musical content of this diary will be presented, which reveals itself not only as an excellent source of new and valuable information on the Portuguese cultural practices of the time, but also on the author’s mentality and, more broadly, on his cultural context.
Original language | Portuguese |
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Title of host publication | Olhares cruzados: Espaço de Língua Portuguesa |
Subtitle of host publication | Espaço de Língua Alemã |
Editors | Maria de Fátima Gil, Rute Soares, Rogério Madeira |
Publisher | CITCEM – Centro de Investigação Transdisciplinar «Cultura, Espaço e Memória» |
Pages | 117-131 |
Number of pages | 14 |
ISBN (Electronic) | 978-989-8970-82-4 |
ISBN (Print) | 978-989-8970-81-7 |
DOIs | |
Publication status | Published - Oct 2024 |
Keywords
- Travelogues
- Ancien Régime
- Music in Portugal
- Music in Portugal in the 18th century
- German Culture