Time in Cinema and Modern Art: Reflections Inspired by Farshad Zahedi and Francisco Jiménez Alcarria’s The Petrified Object And The Poetics Of Time In Cinema

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Abstract

Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze – and questions how absolute time and chronological time are brought to a state of crisis by this modern form of art.
Original languageEnglish
Pages (from-to)125-129
Number of pages5
JournalJournal of Science and Technology of the Arts
Volume14
Issue number2
DOIs
Publication statusPublished - 2022

Keywords

  • Chronos
  • Durée
  • Aging
  • Audiovisual essay

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