'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ

Carla Alferes Pinto

'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ

CHAM - Centro de Humanidades

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	English
Title of host publication	Visualizing Portuguese Power
Subtitle of host publication	The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury)
Editors	Urte Krass
Place of Publication	Zurich
Publisher	Diaphanes
Pages	19-48
Number of pages	30
ISBN (Print)	978 30 3734 742 3
Publication status	Published - 2017

Conflict, accommodation and strategy: Use of artistic images and the political and religious agenda in the convent of St Monica in Goa
Pinto, C. A. (Speaker)
26 Sept 2013
Activity: Talk or presentation › Invited talk

Cite this

Pinto, C. A. (2017). 'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ. In U. Krass (Ed.), Visualizing Portuguese Power: The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury) (pp. 19-48). Diaphanes.

Pinto, Carla Alferes. / 'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion : the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ. Visualizing Portuguese Power: The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury). editor / Urte Krass. Zurich : Diaphanes, 2017. pp. 19-48

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Pinto, CA 2017, 'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ. in U Krass (ed.), Visualizing Portuguese Power: The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury). Diaphanes, Zurich, pp. 19-48.

'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ. / Pinto, Carla Alferes.
Visualizing Portuguese Power: The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury). ed. / Urte Krass. Zurich: Diaphanes, 2017. p. 19-48.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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AU - Pinto, Carla Alferes

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BT - Visualizing Portuguese Power

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CY - Zurich

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Pinto CA. 'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ. In Krass U, editor, Visualizing Portuguese Power: The Political Use of Images in Portugal and its Overseas Empire (16th–18th Cen tury). Zurich: Diaphanes. 2017. p. 19-48

'There is nothing in the history of this Convent other than the grand and the precious'. Artistic images and objects as agents of politics and religion: the foundation stone of the Convent of Saint Monica in Goa and the processional standard with the Miracle of the Crucified Christ

Activities

Conflict, accommodation and strategy: Use of artistic images and the political and religious agenda in the convent of St Monica in Goa

Cite this