TY - JOUR
T1 - The Online Communication of Art-Based Education Organisations Working with Underage Refugees and Migrants in Europe
AU - Sarrouy, Alix Didier
AU - Grácio, Rita
N1 - info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00472%2F2020/PT#
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00472%2F2020/PT#
info:eu-repo/grantAgreement/FCT/3599-PPCDT/EXPL%2FSOC-SOC%2F0504%2F2021/PT#
UIDB/00472/2020
UIDP/00472/2020
EXPL/SOC-SOC/0504/2021
PY - 2022
Y1 - 2022
N2 - Communication is one of the critical issues organisations working with migrants and refugees in Europe must face. Our research question is how do art-based education organisations’ projects working with underage migrants and refugees communicate online? There is a gap concerning three key discursive approaches that we wish to tackle when communicating about these populations: miserabilism, even-image, and gender-neutrality. We propose to analyse them by focusing the research on a case study of two music organisations in two different European countries – the Swedish Dream Orchestra and El Sistema Greece. Through a multimodal critical discourse analysis of their digital communication, the results show that both organisations use their multicultural contexts as an asset to persuade people to join the orchestra (as volunteers, as teachers) and to make donations. However, they do not present intercultural and transcultural alternative approaches. These findings are important to question the choices made when communicating about such ethically and emotionally-charged social phenomenon as the social inclusion of underage migrants and refugees through art-based educational projects in Europe.
AB - Communication is one of the critical issues organisations working with migrants and refugees in Europe must face. Our research question is how do art-based education organisations’ projects working with underage migrants and refugees communicate online? There is a gap concerning three key discursive approaches that we wish to tackle when communicating about these populations: miserabilism, even-image, and gender-neutrality. We propose to analyse them by focusing the research on a case study of two music organisations in two different European countries – the Swedish Dream Orchestra and El Sistema Greece. Through a multimodal critical discourse analysis of their digital communication, the results show that both organisations use their multicultural contexts as an asset to persuade people to join the orchestra (as volunteers, as teachers) and to make donations. However, they do not present intercultural and transcultural alternative approaches. These findings are important to question the choices made when communicating about such ethically and emotionally-charged social phenomenon as the social inclusion of underage migrants and refugees through art-based educational projects in Europe.
KW - Art-based education projects
KW - Migrants
KW - Online communication
KW - Refugees
KW - Underage
UR - http://www.scopus.com/inward/record.url?scp=85145284024&partnerID=8YFLogxK
U2 - 10.26350/001200_000147
DO - 10.26350/001200_000147
M3 - Article
AN - SCOPUS:85145284024
SN - 0392-8667
SP - 61
EP - 74
JO - Comunicazioni Sociali
JF - Comunicazioni Sociali
IS - 1
ER -