TY - JOUR
T1 - The Camera and the Railway
T2 - Framing the Portuguese Empire and Technological Landscapes in Angola and Mozambique, 1880s–1910s
AU - Pereira, Hugo Silveira
N1 - Funding Information:
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UID%2FHIS%2F00286%2F2013/PT#
info:eu-repo/grantAgreement/FCT/DL 57%2F2016/dl 57%2F2016%2FCP1364%2FCT0010/PT#
The University of York’s Department of History; financial support from the Foundation for Science and Technology in Portugal Law 57/2017); and the reviewers of this article.
Publisher Copyright:
© 2023 by the Society for the History of Technology. All rights reserved.
PY - 2023/7
Y1 - 2023/7
N2 - Starting in the 1880s, Portugal invested in constructing railways in its African colonies, Angola and Mozambique. The aim was both to solidify Portuguese presence in territories disputed by other imperial nations and to facilitate exploration of the resources that imperial policymakers assumed existed in the colonial hinterland. To promote the perception that Portugal was an imperial nation, hundreds of photographs recorded the construction, inauguration, and operation of these new railways. Using a semiotics approach, this article analyzes photographs from various sources in Portugal to show how they helped create a novel technological landscape, underscoring the domestication of the territory and the civilization of its inhabitants by European rule, thus promoting it as a land of opportunity for European settlers. This focus adds to the debate claiming that photography was a crucial tool of empire serving European colonialism and imperialism in Africa.
AB - Starting in the 1880s, Portugal invested in constructing railways in its African colonies, Angola and Mozambique. The aim was both to solidify Portuguese presence in territories disputed by other imperial nations and to facilitate exploration of the resources that imperial policymakers assumed existed in the colonial hinterland. To promote the perception that Portugal was an imperial nation, hundreds of photographs recorded the construction, inauguration, and operation of these new railways. Using a semiotics approach, this article analyzes photographs from various sources in Portugal to show how they helped create a novel technological landscape, underscoring the domestication of the territory and the civilization of its inhabitants by European rule, thus promoting it as a land of opportunity for European settlers. This focus adds to the debate claiming that photography was a crucial tool of empire serving European colonialism and imperialism in Africa.
KW - colonialism
KW - history of technology
KW - photography
KW - representations
KW - semiotics
UR - http://www.scopus.com/inward/record.url?scp=85167993211&partnerID=8YFLogxK
U2 - 10.1353/tech.2023.a903971
DO - 10.1353/tech.2023.a903971
M3 - Article
AN - SCOPUS:85167993211
SN - 0040-165X
VL - 64
SP - 737
EP - 759
JO - Technology and Culture
JF - Technology and Culture
IS - 3
ER -