Activities per year
Abstract
Este artículo explora el legado histórico de la vanguardia del arte a través de algunas de las manifestaciones artísticas del siglo XX en espacios públicos. Al mismo tiempo, discutirá la incorporación de dicho legado histórico en las prácticas contemporáneas de investigación colaborativa. Lo hace abordando el estudio de caso del colectivo Situ_Acção asociado al tema de las artes públicas. El colectivo Situ_Acção es un grupo de artistas e investigadores de diferentes campos de las artes y la comunicación, cuya actividad se centra en la intervención en la ciudad, basada en la acción y la investigación colaborativa y la reflexión compartida sobre fenómenos urbanos.
Primero, se describirá cómo Situ_Acção ha encontrado un terreno común para la investigación: el legado de los murales urbanos en la ciudad de Lisboa. Al investigar los archivos digitales portugueses de murales urbanos de los años setenta y ochenta, Situ_Acção aplicó técnicas artísticas espaciales para suplir la información que faltaba sobre los lugares de intervención. Además, el uso del performance y la instalación site specific implementa enfoques alternativos para comunicar la investigación a un público más amplio. Este ejercicio permitirá diferentes grados de participación dentro de la obra de arte en progreso. Para explorar tales grados de interacción, se describirá el proyecto Memoria En los Muros (MOWS –Memory in the Walls) en el capítulo final.
This article explores the embodiment of the art historical avant-garde legacy through some of the artistic manifestations across the 20th century, in public spaces. At the same time, it discusses the incorporation of such historical background in contemporary collaborative research practices. It does
so by addressing the case study of the collective Situ_Acção, a group of artists and researchers from different fields of arts and communication, whose activity is focused on intervention in the city, based on action and collaborative research and shared reflection on urban phenomena, associated with public arts.
First, it will be described how Situ_Acção started a common ground for the inquiry: the legacy of urban murals in Lisbon. By investigating the Portuguese digital archives of urban murals of the 1970s and 1980s, Situ_Acção applied spatial artistic techniques to overcome the missing information regarding
the places of intervention. In addition, the use of performance and on-site installation implements alternative approaches to communicate research to a wider audience. This exercise will allow different degrees of participation within the work of art in progress. The project Memory in the Walls (MOWS) will be described in the concluding chapter, in order to explore such degrees of interaction.
Primero, se describirá cómo Situ_Acção ha encontrado un terreno común para la investigación: el legado de los murales urbanos en la ciudad de Lisboa. Al investigar los archivos digitales portugueses de murales urbanos de los años setenta y ochenta, Situ_Acção aplicó técnicas artísticas espaciales para suplir la información que faltaba sobre los lugares de intervención. Además, el uso del performance y la instalación site specific implementa enfoques alternativos para comunicar la investigación a un público más amplio. Este ejercicio permitirá diferentes grados de participación dentro de la obra de arte en progreso. Para explorar tales grados de interacción, se describirá el proyecto Memoria En los Muros (MOWS –Memory in the Walls) en el capítulo final.
This article explores the embodiment of the art historical avant-garde legacy through some of the artistic manifestations across the 20th century, in public spaces. At the same time, it discusses the incorporation of such historical background in contemporary collaborative research practices. It does
so by addressing the case study of the collective Situ_Acção, a group of artists and researchers from different fields of arts and communication, whose activity is focused on intervention in the city, based on action and collaborative research and shared reflection on urban phenomena, associated with public arts.
First, it will be described how Situ_Acção started a common ground for the inquiry: the legacy of urban murals in Lisbon. By investigating the Portuguese digital archives of urban murals of the 1970s and 1980s, Situ_Acção applied spatial artistic techniques to overcome the missing information regarding
the places of intervention. In addition, the use of performance and on-site installation implements alternative approaches to communicate research to a wider audience. This exercise will allow different degrees of participation within the work of art in progress. The project Memory in the Walls (MOWS) will be described in the concluding chapter, in order to explore such degrees of interaction.
Translated title of the contribution | Addressing SITU_ACCÃO: Case Study of an Artistic Intervention and Research into Public Spaces |
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Original language | Spanish |
Pages (from-to) | 433-447 |
Number of pages | 15 |
Journal | Arte, Individuo y Sociedad |
Volume | 33 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2021 |
Keywords
- Arte
- Investigación participativa
- Ciudad
- Espacios públicos
- Art
- Participatory investigation
- City
- Public spaces
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Dive into the research topics of 'Addressing SITU_ACCÃO: Case Study of an Artistic Intervention and Research into Public Spaces'. Together they form a unique fingerprint.Activities
- 1 Membership of network/project
-
Instituto de História da Arte (IHA) (Organisational unit)
Cristina Pratas Cruzeiro (Member), Helena Elias (Member), Tânia Cortez (Member) & Catarina Valente (Member)
2018 → …Activity: Membership › Membership of network/project