Salazar’s dictatorship and the paradoxes of State music: Luis de Freitas Branco's ill-fated solemn overture 1640 (1939)

Manuel Deniz Silva

doi:10.4324/9781315573236

Salazar’s dictatorship and the paradoxes of State music: Luis de Freitas Branco's ill-fated solemn overture 1640 (1939)

Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	English
Title of host publication	Composing for the State
Subtitle of host publication	Music in Twentieth-Century Dictatorships
Editors	Esteban Buch, Igor Contreras, Manuel Deniz Silva
Place of Publication	London
Publisher	Routledge
Pages	144-167
Number of pages	24
Edition	1st
ISBN (Electronic)	9781317162643
ISBN (Print)	9781472437495
DOIs	https://doi.org/10.4324/9781315573236
Publication status	Published - 27 Jan 2016

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Salazar’s dictatorship and the paradoxes of State music: Luis de Freitas Branco's ill-fated solemn overture 1640 (1939). / Silva, Manuel Deniz.
Composing for the State: Music in Twentieth-Century Dictatorships. ed. / Esteban Buch; Igor Contreras; Manuel Deniz Silva. 1st. ed. London: Routledge, 2016. p. 144-167.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Salazar’s dictatorship and the paradoxes of State music: Luis de Freitas Branco's ill-fated solemn overture 1640 (1939)

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