Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure

João Pedro D'Alvarenga

Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure

Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)

Research output: Contribution to conference › Abstract › peer-review

Original language	English
Pages	9-9
Publication status	Published - 2014
Event	EuroMAC 2014 - Leuven, Belgium Duration: 17 Sept 2014 → 20 Sept 2014 http://www.euromac2014.eu

Conference

Conference	EuroMAC 2014
Country/Territory	Belgium
City	Leuven
Period	17/09/14 → 20/09/14
Internet address	http://www.euromac2014.eu

Access to Document

http://issuu.com/europeanmusicanalysis/docs/abstracts/3?e=13349186/9115660

Cite this

@conference{c022489aac254df8bc9f19e05ce108d9,

title = "Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure",

author = "D'Alvarenga, {Jo{\~a}o Pedro}",

year = "2014",

language = "English",

pages = "9--9",

note = "EuroMAC 2014 ; Conference date: 17-09-2014 Through 20-09-2014",

url = "http://www.euromac2014.eu",

}