Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva

Filippo De Tomasi; Maura Castanheira  Grimaldi

doi:https://doi.org/10.1515/9783839461143-015

Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva

Filippo De Tomasi, Maura Castanheira Grimaldi

Instituto de Comunicação da NOVA (ICNOVA)

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Colors, geometrical shapes, elementary figures, animated forms: an orange resembling an evening; a twilight on a two-tone background; white circles that look likes now; squares inside squares. The orange (is it on a table?) is not just a fruit, it reminds us of Paul Cézanne.

Original language	English
Title of host publication	The object as process
Subtitle of host publication	essays situating artistic practice
Editors	Stephan Schmidt-Wulffen, German A. Duarte
Place of Publication	Bielefeld
Publisher	Transcript Verlag
Pages	197-212
Number of pages	15
Edition	1
ISBN (Print)	978-3-8376-6114-9
DOIs	https://doi.org/10.1515/9783839461143-015
Publication status	Published - 2022

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https://doi.org/10.1515/9783839461143-015Licence: Unspecified

Cite this

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Obsolescence and reinvention: the case study of João Maria Gusmão and Pedro Paiva. / De Tomasi, Filippo ; Grimaldi, Maura Castanheira .
The object as process: essays situating artistic practice. ed. / Stephan Schmidt-Wulffen; German A. Duarte. 1. ed. Bielefeld: Transcript Verlag, 2022. p. 197-212.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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