Abstract
Tomando como ponto de partida a análise do texto fílmico O Clube dos Poetas Mortos, a atual proposta visa contrapor uma determinada representação fílmica do Ensino e da Sociedade, datada do final da década de cinquenta do século passado, para discutirmos se, no atual momento do desenvolvimento das Tecnologias da Informação e Comunicaçãoe, na vigência de uma não linearidade e da Hiper textualidade, a relação docente/discente se mantém, se a ecoa ou se sofreu uma (profunda) alteração. Julgamos estar em condições de demonstrar que, no essencial, a relação ontológica e fenomenológica se mantém. Tendo as atuais tecnologias digitais produzido uma transformação social e cultural, pretendemos demonstrar que esta manifesta-se na forma como os conceitos, agora em análise, são operacionalizados.
Considering the film text Dead Poet Societyas a starting point, we aim to debate the concepts of Teaching and Society, linked to a specific film representation dated from the 50-decade last century. Considering the actual development of Information and Communication Technologies and, in the presence of a non-linearity and hyper textuality, we will also consider to discuss whichever the relationship teacher/student expressed in the scrutinised film text, remains, echoes or disclose a (profound) transformation. We deem be able to validate that, essentially, the ontological and phenomenological relationship persists, although, the current digital technologies produced a social and cultural change, visible in the way those concepts are take on.
Considering the film text Dead Poet Societyas a starting point, we aim to debate the concepts of Teaching and Society, linked to a specific film representation dated from the 50-decade last century. Considering the actual development of Information and Communication Technologies and, in the presence of a non-linearity and hyper textuality, we will also consider to discuss whichever the relationship teacher/student expressed in the scrutinised film text, remains, echoes or disclose a (profound) transformation. We deem be able to validate that, essentially, the ontological and phenomenological relationship persists, although, the current digital technologies produced a social and cultural change, visible in the way those concepts are take on.
Translated title of the contribution | The dead poets society or oh captain, my captain!...: Carpe Diem.... Memoriesof yesterday's teaching society for today's and tomorrow’s teaching society in a new digital order |
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Original language | Portuguese |
Pages (from-to) | 1-18 |
Number of pages | 18 |
Journal | RevistAleph |
Issue number | 34 |
DOIs | |
Publication status | Published - Jul 2020 |
Keywords
- Clube dos Poetas Mortos
- Era digital
- Ensino
- Sociedade
- Dead Poet Society
- Digital Age
- Teaching
- Society