TY - JOUR
T1 - Musicological Archeology and Constança Capdeville
AU - Magalhães, Filipa
N1 - info:eu-repo/grantAgreement/FCT/6817 - DCRRNI
ID/UIDB%2F00693%2F2020/PT#
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI
ID/UIDP%2F00693%2F2020/PT#
UIDB/00693/2020
UIDP/00693/2020
PY - 2022
Y1 - 2022
N2 - The coexistence in a concert of two sound worlds, one acoustic, the other electroacoustic -- output from loudspeakers -- is a complex issue. When texts, lights, gestures, and movements coming from different artistic domains such as theatre, dance, or cinema combine with the music the result is a new language. Understanding the relationships between all these elements is very difficult, both from the performative and preservation point of view. In this article, I analyze the compositional taxonomy and collaborations in performances of Constança Capdeville’s music.
AB - The coexistence in a concert of two sound worlds, one acoustic, the other electroacoustic -- output from loudspeakers -- is a complex issue. When texts, lights, gestures, and movements coming from different artistic domains such as theatre, dance, or cinema combine with the music the result is a new language. Understanding the relationships between all these elements is very difficult, both from the performative and preservation point of view. In this article, I analyze the compositional taxonomy and collaborations in performances of Constança Capdeville’s music.
U2 - 10.1017/S1054204322000302
DO - 10.1017/S1054204322000302
M3 - Article
VL - 66
SP - 64
EP - 77
JO - TDR - The Drama Review
JF - TDR - The Drama Review
IS - 3
ER -