TY - JOUR
T1 - Musicological Archaeology and Constança Capdeville
AU - Magalhães, Filipa
N1 - info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT#
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT#
UIDB/00693/2020
UIDP/00693/2020
PY - 2022/9/1
Y1 - 2022/9/1
N2 - In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville.
AB - In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville.
U2 - 10.1017/s1054204322000302
DO - 10.1017/s1054204322000302
M3 - Article
SN - 1054-2043
VL - 66
SP - 64
EP - 77
JO - Tdr-The Drama Review-A Journal Of Performance Studies
JF - Tdr-The Drama Review-A Journal Of Performance Studies
IS - 3
ER -