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Abstract
The musical collection of the Charterhouse of Évora owns manuscripts and printed books well known by researchers, with the exception of one antiphonary kept in the Palácio Duques do Cadaval, which I identify as being a Carthusian book. Built at the end of the sixteenth century, the Charterhouse of Évora (Scala Coeli) is the first Portuguese charterhouse. Although written or printed at the end of the sixteenth century, or at the beginning of the seventeenth, the books used in the Charterhouse of Évora bear witness to a liturgical tradition as ancient as the Middle Ages. Generally stable, the Carthusian liturgy, nonetheless, suffered some changes ratified at the end of the sixteenth century. The books of the Charterhouse of Évora are thus testimonies to the integration of these changes into the Carthusian liturgy. They also bear witness to the constitution of a liturgical collection for the daily recitation of the divine office.
Translated title of the contribution | The liturgical books of the Carthusian Monastery of Evora (Portugal) bear witness to the constitution of a Carthusian fund and the changes in the Carthusian liturgy at the end of the 16th century |
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Original language | French |
Pages (from-to) | 120-134 |
Number of pages | 14 |
Journal | Acta Musicologica |
Volume | 92 |
Issue number | 2 |
Publication status | Published - 2020 |
Keywords
- Carthusians
- Liturgy
- Manuscripts
- Plainchan
- Teotónio de Bragança
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Dive into the research topics of 'The liturgical books of the Carthusian Monastery of Evora (Portugal) bear witness to the constitution of a Carthusian fund and the changes in the Carthusian liturgy at the end of the 16th century'. Together they form a unique fingerprint.Activities
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Étudier les manuscrits liturgico-musicaux d’un ordre monastique centralisé : l’exemple des livres cartusiens
Océane Boudeau (Speaker)
2021Activity: Talk or presentation › Oral presentation