TY - JOUR
T1 - Investigating performance ecologies using screen scores
T2 - a case study
AU - Masu, Raul
AU - Bettega, Mela
AU - Correia, Nuno N.
AU - Romão, Teresa
N1 - Funding Information:
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F50009%2F2020/PT#
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UID%2FCEC%2F04516%2F2019/PT#
We wish to acknowledge the four participants in the study. We also want to thank the reviewers for their useful and valuable insights to this paper. The first and second author acknowledges ARDITI - Agencia Regional para o Desenvolvimento e Tecnologia under the scope of the Project M1420-09-5369-FSE-000002.
Publisher Copyright:
© 2023, The Author(s), under exclusive licence to Springer-Verlag London Ltd., part of Springer Nature.
PY - 2023/10
Y1 - 2023/10
N2 - The purpose of this paper is to deepen the understanding of interconnections among actors and artifacts in a music performance. To this end, this work presents a case study with four participants. Each participant created a piece using Puffin, a screen score system that allows for real-time generation of scores to be played by traditional instrumentalists. We collected field notes and interviews and formalized them with the support of ARCAA (Actors, Role, Context, Activities and Artifacts), a recently developed framework specifically developed for this purpose. By discussing the resulting ecology we highlight some possible design suggestions, including the importance of considering non-direct interaction with a digital system as fundamental for a good “usage” of a given musical system; the relevance of accounting for the entire ecology of artifacts; and that different conceptions of affordances should be used to understand different perspectives of an ecology (in our case, social and hidden affordances).
AB - The purpose of this paper is to deepen the understanding of interconnections among actors and artifacts in a music performance. To this end, this work presents a case study with four participants. Each participant created a piece using Puffin, a screen score system that allows for real-time generation of scores to be played by traditional instrumentalists. We collected field notes and interviews and formalized them with the support of ARCAA (Actors, Role, Context, Activities and Artifacts), a recently developed framework specifically developed for this purpose. By discussing the resulting ecology we highlight some possible design suggestions, including the importance of considering non-direct interaction with a digital system as fundamental for a good “usage” of a given musical system; the relevance of accounting for the entire ecology of artifacts; and that different conceptions of affordances should be used to understand different perspectives of an ecology (in our case, social and hidden affordances).
KW - Affordances
KW - Creativity and collaboration
KW - Performance ecologies
KW - Screen scores
UR - http://www.scopus.com/inward/record.url?scp=85160229177&partnerID=8YFLogxK
U2 - 10.1007/s00779-023-01719-y
DO - 10.1007/s00779-023-01719-y
M3 - Article
AN - SCOPUS:85160229177
SN - 1617-4909
VL - 27
SP - 1887
EP - 1907
JO - Personal and Ubiquitous Computing
JF - Personal and Ubiquitous Computing
ER -