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Imitative tools and processes in the Iberian motet circa 1500
Esperanza Rodríguez-Garcia
Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
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peer-review
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Arts & Humanities
Motet
100%
Imitation
52%
Fuga
15%
Polyphony
11%
Repertory
10%
Disregard
10%
Composer
7%