Abstract
Most collections conceived in artistic domains, whether in dance, music or theatre, as they are performances and involve heterogeneous sources such as text, image, audio- video recordings, music, scenarios, gesture, movement, among others, are difficult to describe or document in archival contexts (e.g., music theatre). Archiving these works challenges musicologists, as it requires an in-depth knowledge of their collaborative practices, in addition to a study considering an archaeological musicology, being necessary to gather the pieces of the puzzle, since the different elements/materials of the works are dispersed by various sources. Post-custodial forms of archive present some solutions, however it would be important to seek for a common core language and combine archival standards in order to allow the interoperability of information to understand these works from a holistic perspective. In this paper, I seek to broaden discussions about the issues around preserving creations in the field of performing arts in the (digital) archive, giving specific examples in different artistic spheres.
Original language | English |
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Title of host publication | Proceedings of the International Conference on Technologies for Music Notation and Representation, PRISM |
Editors | Vincent Tiffon, Jonathan Bell, Charles de Paiva Santana |
Publisher | Les éditions de PRISM |
Pages | 1-7 |
Number of pages | 7 |
ISBN (Print) | 979-10-97498-03-0 |
Publication status | Published - 9 May 2022 |
Event | Tenor 2022 - Marseille, France Duration: 9 May 2022 → 11 May 2022 |
Conference
Conference | Tenor 2022 |
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Country/Territory | France |
City | Marseille |
Period | 9/05/22 → 11/05/22 |