@article{4bc47cecc827446ab8b1ee7450a28a53,
title = "Identity, Loss, and Singing Transcendence after the End of the World",
abstract = "Review-essay of the film opera Upload and the chamber music theater piece The Book of Water by Michel van der Aa.",
author = "Jelena Novak",
note = "info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT# info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT# UIDB/00693/2020 UIDP/00693/2020",
year = "2022",
doi = "https://doi.org/10.54103/sss19973",
language = "English",
volume = "2",
pages = "137--148",
journal = "Sound Stage Screen",
issn = "2784-8949",
publisher = "Universit{\`a} degli Studi di Milano",
number = "2",
}