Das ideologias políticas às ideologias de gosto

o discurso no jornalismo sobre música pop em Portugal antes e depois da Revolução de 1974

Translated title of the contribution: From Political Ideologies to Ideologies of Taste: Journalism Discourse on Pop Music in Portugal before and after the 1974 Revolution

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

In this text, I analyse the construction of journalistic discourse on pop music in Portugal in the period between 1985 and 1988 and establish a comparison with the type of discourse in effect in the early 1970s, in pre-revolution Portugal. Hence, I have drawn on texts from music periodicals, Blitz (launched in 1984) and the magazine supplement to the weekly newspaper Expresso and comparing both in terms of their discourse with that of the periodical magazine Mundo da Cancao (World of Song) (1969-1985). I relate the changes taking place in the discourse on popular music to the broader reaching context of the music industry in Portugal and the journalist's relationship with record publishers and concert managers. The comparative study is framed within the concept of "gatekeeping," as proposed by other scientific studies on communication.
Original languagePortuguese
Title of host publicationCurrent Issues in Music Research
Subtitle of host publicationCopyright, Power and Transnational Music Processes
Place of PublicationLisboa
PublisherEdiçoes Colibri
Pages91-109
Number of pages19
ISBN (Print)978-989-689-243-2
Publication statusPublished - 1 Jan 2012
Event11th International Conference of SIBE - Sociedad de Entomusicologia - Universidade Nova de Lisboa, Lisbon, Portugal
Duration: 28 Oct 201031 Oct 2010
Conference number: 11

Conference

Conference11th International Conference of SIBE - Sociedad de Entomusicologia
CountryPortugal
CityLisbon
Period28/10/1031/10/10

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Nunes, P. (2012). Das ideologias políticas às ideologias de gosto: o discurso no jornalismo sobre música pop em Portugal antes e depois da Revolução de 1974. In Current Issues in Music Research: Copyright, Power and Transnational Music Processes (pp. 91-109). Lisboa: Ediçoes Colibri.