Abstract
A tetralogia napolitana de Elena Ferrante, publicada entre 2011 e 2014, em Itália, foi traduzida em diversos países e rapidamente espalhou-se pelo mundo, popularizando e pautando debates entre leitores, especialmente no público feminino, a partir da história de vida e de amizade de Lila e Lenù. Neste estudo, analiso a estratégia de emancipação de Lenù por meio da sua trajetória com a escrita.
Elena Ferrante’s Neapolitan Novels were published between 2011 and 2014, in Italy, and quickly spread across the world in a very comprehensive way, popularizing and guiding debates among readers, especially the female audience, based on the story of friendship between Lila and Lenù. With this study, I analyze the strategy for the emancipation of the character Lenù, within the framework of writing and narrative.
Elena Ferrante’s Neapolitan Novels were published between 2011 and 2014, in Italy, and quickly spread across the world in a very comprehensive way, popularizing and guiding debates among readers, especially the female audience, based on the story of friendship between Lila and Lenù. With this study, I analyze the strategy for the emancipation of the character Lenù, within the framework of writing and narrative.
| Translated title of the contribution | Writing and narrative in the emancipation strategy of the character Lenù in the Elena Ferrante’s Neapolitan Novels. |
|---|---|
| Original language | Portuguese |
| Pages (from-to) | 49-64 |
| Number of pages | 16 |
| Journal | Faces de Eva: Revista de Estudos Sobre a Mulher |
| Issue number | 46 |
| DOIs | |
| Publication status | Published - 2021 |
Keywords
- Escrita
- Elena Ferrante
- Narrativa
- Identidade narrativa
- Sujeito situado
- Writing
- Narrative
- Identity
- Situated self