Distance and Distortion: Amadeo Souza Cardoso's and Joan Miró's War-years Painting and the Words that Fail Them

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Abstract

This essay considers art historical discourses on the work produced during the First World War by two painters born and living in the Iberian Peninsula: the Portuguese Amadeo de Souza Cardoso (1887–1918) and the Catalan Joan Miró (1893–1983). It considers the dialogues and relations maintained by these painters in their war-affected national artistic milieus and with the equally disrupted, international avant-garde circles, while discussing historiographical biased assumptions about production-places and their meanings, namely how localness was read as expressing isolation, distance, and lack of aesthetic significance.
Original languageEnglish
Pages (from-to)30-43
Number of pages13
JournalArtl@s Bulletin
Volume6
Issue number2
Publication statusPublished - 2017

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