@inbook{0c7de74932dc4d4aae3dba0ab27a782e,
title = "Desabrochando uma rosa de um rocket: arte, mem{\'o}ria e resist{\^e}ncia em Mo{\c c}ambique",
abstract = "This work seeks to understand, through the artwork of Gon{\c c}alo Mabunda, as the Maputo Art Center carries out a {\textquoteleft}recycling{\textquoteright} and reproduction of war icons in order to create an entire identity production based on historical memory. I lean over on how sculptures can make room to a place of memory injunction allowing the negotiation of meanings and mnemonics associated with the Civil War, mirroring counter-memories strained by the artist{\textquoteright}s personal experience. It analyzes the expressive and symbolic capacity of sculptural-performative language as communicator of social and political meanings, and as a form of mise-en-scene of “social drama”.",
keywords = "Sculpture, Performance, Resistance, Memory",
author = "{Raposo Gomes}, {S{\'i}lvia Alexandra}",
note = "info:eu-repo/grantAgreement/FCT/5876/147310/PT# UID/ANT/04038/2013",
year = "2018",
language = "Portuguese",
isbn = "978-989-8771-93-3",
series = "Global Art Monograph Series",
publisher = "Centro de Investiga{\c c}{\~a}o e Estudos em Belas-Artes (CIEBA) da Faculdade de Belas-Artes da Universidade de Lisboa",
pages = "214--228",
editor = "Cruzeiro, {Cristina Pratas }",
booktitle = "Migra{\c c}{\~o}es: Processos migrat{\'o}rios e pr{\'a}ticas art{\'i}sticas em tempo de guerra",
address = "Portugal",
}