Política cool, humor fun: O código humorístico e a perda da dimensão coletiva no filme No, de Pablo Larraín

João Pedro Rosa Ferreira; Thaís L. Vieira

doi:10.5216/hr.v25i3.66683

Política cool, humor fun: O código humorístico e a perda da dimensão coletiva no filme No, de Pablo Larraín

Translated title of the contribution: Cool politics, fun humor: The humorous code and the loss of collective dimension in the movie No, by Pablo Larraín

João Pedro Rosa Ferreira, Thaís L. Vieira

CHAM - Centro de Humanidades

Research output: Contribution to journal › Article › peer-review

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Abstract

The movie No, released in 2012, is considered in this paper as a means to reflect not only on the movie narrative (that is, its content itself: the advertising campaign previous to the 1988 plebiscite, when the Chileans decided not to perpetuate Pinochet's dictatorship), but also on the role of humor in the connection between the 'society of the spectacle' and the consumer society in Latin American politics, especially from the 1970s onwards, regarding the problems posed in the post dictatorial times. In No, director Pablo Larraín discusses topics such as ‘political emptying’ and the conditions of disengagement - in this case, by means of the idea of 'humorous society'.

Translated title of the contribution	Cool politics, fun humor: The humorous code and the loss of collective dimension in the movie No, by Pablo Larraín
Original language	Portuguese
Pages (from-to)	257-271
Number of pages	15
Journal	História Revista
Volume	25
Issue number	3
DOIs	https://doi.org/10.5216/hr.v25i3.66683
Publication status	Published - Dec 2020

Keywords

Cinema
Humorous society
Chile
Pablo Larraín
No

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

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Política cool, humor funFinal published version, 338 KBLicence: CC BY

https://www.revistas.ufg.br/historia/article/view/66683Licence: CC BY

Cite this

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title = "Pol{\'i}tica cool, humor fun: O c{\'o}digo humor{\'i}stico e a perda da dimens{\~a}o coletiva no filme No, de Pablo Larra{\'i}n",

abstract = "The movie No, released in 2012, is considered in this paper as a means to reflect not only on the movie narrative (that is, its content itself: the advertising campaign previous to the 1988 plebiscite, when the Chileans decided not to perpetuate Pinochet's dictatorship), but also on the role of humor in the connection between the 'society of the spectacle' and the consumer society in Latin American politics, especially from the 1970s onwards, regarding the problems posed in the post dictatorial times. In No, director Pablo Larra{\'i}n discusses topics such as {\textquoteleft}political emptying{\textquoteright} and the conditions of disengagement - in this case, by means of the idea of 'humorous society'.",

keywords = "Cinema, Humorous society, Chile, Pablo Larra{\'i}n, No",

author = "Ferreira, {Jo{\~a}o Pedro Rosa} and Vieira, {Tha{\'i}s L.}",

note = "UIDB/04666/2020 UIDP/04666/2020",

year = "2020",

month = dec,

doi = "10.5216/hr.v25i3.66683",

language = "Portuguese",

volume = "25",

pages = "257--271",

journal = "Hist{\'o}ria Revista",

issn = "2238-6270",

publisher = "Editora Universidade Federal de Goi{\'a}s",

number = "3",

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T1 - Política cool, humor fun

T2 - O código humorístico e a perda da dimensão coletiva no filme No, de Pablo Larraín

AU - Ferreira, João Pedro Rosa

AU - Vieira, Thaís L.

N1 - UIDB/04666/2020 UIDP/04666/2020

PY - 2020/12

Y1 - 2020/12

N2 - The movie No, released in 2012, is considered in this paper as a means to reflect not only on the movie narrative (that is, its content itself: the advertising campaign previous to the 1988 plebiscite, when the Chileans decided not to perpetuate Pinochet's dictatorship), but also on the role of humor in the connection between the 'society of the spectacle' and the consumer society in Latin American politics, especially from the 1970s onwards, regarding the problems posed in the post dictatorial times. In No, director Pablo Larraín discusses topics such as ‘political emptying’ and the conditions of disengagement - in this case, by means of the idea of 'humorous society'.

AB - The movie No, released in 2012, is considered in this paper as a means to reflect not only on the movie narrative (that is, its content itself: the advertising campaign previous to the 1988 plebiscite, when the Chileans decided not to perpetuate Pinochet's dictatorship), but also on the role of humor in the connection between the 'society of the spectacle' and the consumer society in Latin American politics, especially from the 1970s onwards, regarding the problems posed in the post dictatorial times. In No, director Pablo Larraín discusses topics such as ‘political emptying’ and the conditions of disengagement - in this case, by means of the idea of 'humorous society'.

KW - Cinema

KW - Humorous society

KW - Chile

KW - Pablo Larraín

KW - No

U2 - 10.5216/hr.v25i3.66683

DO - 10.5216/hr.v25i3.66683

M3 - Article

VL - 25

SP - 257

EP - 271

JO - História Revista

JF - História Revista

SN - 2238-6270

IS - 3

ER -

Política cool, humor fun: O código humorístico e a perda da dimensão coletiva no filme No, de Pablo Larraín

Abstract

Keywords

UN SDGs

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