TY - JOUR
T1 - Characterization of a pair of Goan paintings from the 16th-17th centuries
AU - Antunes, Vanessa
AU - Serrão, Vítor
AU - Candeias, António
AU - Mirão, José
AU - Cardoso, Ana Margarida
AU - Carvalho, Maria L.
AU - Manso, Marta
N1 - Also wish to acknowledge Museu Nacional de Machado de Castro, Fundacao Calouste Gulbenkian for financial support through the project "De artibus in auream Goa" and Fundacao para a Ciencia e Tecnologia for financial support (Post-doc grant SFRH/BPD/103315/2014) through program QREN-POPH-typology 4. 1., co-participated by the Social European Fund (FSE) and MCTES National Fund. Finally acknowledge Portuguese embassy in Goa, former consul Dr. Rui Baceira, Rohini Pande Ambekar from ASI, Goa, Monica Reis, Jose Pestana, Virginia Gomes (MNMC), Maria Jose Oliveira (LJF-DGPC) and Sara Valadas. This work was supported by the research center grant no. UID/FIS/04559/2013 to LIBPhys-UNL, from the FCT/MCTES/PIDDAC and research center grant no. UID/Multi/04449/2013 to Hercules Laboratory.
PY - 2019/6/1
Y1 - 2019/6/1
N2 - This work addresses the technical and material characterization of a pair of Goan paintings from the end of the 16th century, early 17th century with the aim to understand the influence of European, and specifically Portuguese painting materials and techniques in Goan painting. The painting materials and techniques were studied and compared to other coeval Goan and Portuguese paintings since Goa belonged at the epoch to Portuguese India. The analytical techniques used were Infrared reflectography (IRR), optical microscopy (OM), Energy Dispersive X-ray Fluorescence spectroscopy (EDXRF), micro-Raman spectroscopy (μ-Raman), scanning electron microscopy-energy dispersive spectroscopy (SEM-EDS), micro-X-ray Diffraction (μ-XRD) and micro-Fourier Transform Infrared spectroscopy (μ-FTIR). This multianalytical approach and comparison between paintings technique and materials allowed to define the studied paintings as a Goan style of production in line to European mannerism style.
AB - This work addresses the technical and material characterization of a pair of Goan paintings from the end of the 16th century, early 17th century with the aim to understand the influence of European, and specifically Portuguese painting materials and techniques in Goan painting. The painting materials and techniques were studied and compared to other coeval Goan and Portuguese paintings since Goa belonged at the epoch to Portuguese India. The analytical techniques used were Infrared reflectography (IRR), optical microscopy (OM), Energy Dispersive X-ray Fluorescence spectroscopy (EDXRF), micro-Raman spectroscopy (μ-Raman), scanning electron microscopy-energy dispersive spectroscopy (SEM-EDS), micro-X-ray Diffraction (μ-XRD) and micro-Fourier Transform Infrared spectroscopy (μ-FTIR). This multianalytical approach and comparison between paintings technique and materials allowed to define the studied paintings as a Goan style of production in line to European mannerism style.
UR - http://www.scopus.com/inward/record.url?scp=85067307082&partnerID=8YFLogxK
U2 - 10.1140/epjp/i2019-12713-0
DO - 10.1140/epjp/i2019-12713-0
M3 - Article
AN - SCOPUS:85067307082
VL - 134
JO - European Physical Journal Plus
JF - European Physical Journal Plus
SN - 2190-5444
IS - 6
M1 - 262
ER -