As camadas preparatórias na policromia tardo-gótica do retábulo mor da Sé Velha de Coimbra, por Jean d’Ypres

Agnès Anne Françoise Le Gac Arinto

As camadas preparatórias na policromia tardo-gótica do retábulo mor da Sé Velha de Coimbra, por Jean d’Ypres

DCR - Departamento de Conservação e Restauro

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

The original polychromy of the main altarpiece of the Coimbra Old Cathedral, produced by the painter Jean d’Ypres in 1501-1502, has partially survived hidden under three subsequent interventions. Analyses performed by Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy, micro X-ray Diffraction, micro-chemical tests and micro-Fourier Transform Infrared Spectroscopy enabled to demonstrate how particularly suitable were the materials employed and their implementation for the final effects to be achieved. This case-study, which involved the activity of Flemish artists in Portugal, allowed for a comparison to be drawn with altarpieces produced in Brabant at the same period.

Original language	Unknown
Title of host publication	Materiais e Processos Laboratoriais
Pages	13-24
Publication status	Published - 1 Jan 2013
Event	As Preparações na Pintura Portuguesa dos Séculos XV e XVI - Museu Nacional de Arte Antiga - 28-29 June 2013 - Duration: 1 Jan 2013 → …

Conference

Conference	As Preparações na Pintura Portuguesa dos Séculos XV e XVI - Museu Nacional de Arte Antiga - 28-29 June 2013
Period	1/01/13 → …

Cite this

@inproceedings{bd3bcd229887477aa60b43ed02d53f32,

title = "As camadas preparat{\'o}rias na policromia tardo-g{\'o}tica do ret{\'a}bulo mor da S{\'e} Velha de Coimbra, por Jean d{\textquoteright}Ypres",

abstract = "The original polychromy of the main altarpiece of the Coimbra Old Cathedral, produced by the painter Jean d{\textquoteright}Ypres in 1501-1502, has partially survived hidden under three subsequent interventions. Analyses performed by Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy, micro X-ray Diffraction, micro-chemical tests and micro-Fourier Transform Infrared Spectroscopy enabled to demonstrate how particularly suitable were the materials employed and their implementation for the final effects to be achieved. This case-study, which involved the activity of Flemish artists in Portugal, allowed for a comparison to be drawn with altarpieces produced in Brabant at the same period.",

author = "Arinto, {Agn{\`e}s Anne Fran{\c c}oise Le Gac}",

year = "2013",

month = jan,

day = "1",

language = "Unknown",

isbn = "978-989-96236-1-3",

pages = "13--24",

booktitle = "Materiais e Processos Laboratoriais",

note = "null ; Conference date: 01-01-2013",

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T1 - As camadas preparatórias na policromia tardo-gótica do retábulo mor da Sé Velha de Coimbra, por Jean d’Ypres

AU - Arinto, Agnès Anne Françoise Le Gac

PY - 2013/1/1

Y1 - 2013/1/1

N2 - The original polychromy of the main altarpiece of the Coimbra Old Cathedral, produced by the painter Jean d’Ypres in 1501-1502, has partially survived hidden under three subsequent interventions. Analyses performed by Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy, micro X-ray Diffraction, micro-chemical tests and micro-Fourier Transform Infrared Spectroscopy enabled to demonstrate how particularly suitable were the materials employed and their implementation for the final effects to be achieved. This case-study, which involved the activity of Flemish artists in Portugal, allowed for a comparison to be drawn with altarpieces produced in Brabant at the same period.

AB - The original polychromy of the main altarpiece of the Coimbra Old Cathedral, produced by the painter Jean d’Ypres in 1501-1502, has partially survived hidden under three subsequent interventions. Analyses performed by Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy, micro X-ray Diffraction, micro-chemical tests and micro-Fourier Transform Infrared Spectroscopy enabled to demonstrate how particularly suitable were the materials employed and their implementation for the final effects to be achieved. This case-study, which involved the activity of Flemish artists in Portugal, allowed for a comparison to be drawn with altarpieces produced in Brabant at the same period.

M3 - Conference contribution

SN - 978-989-96236-1-3

SP - 13

EP - 24

BT - Materiais e Processos Laboratoriais

Y2 - 1 January 2013

ER -