TY - GEN
T1 - A Preliminary Proposal for a Systematic GABC Encoding of Gregorian Chant
AU - E. Thomae, Martha
AU - Rizo, David
AU - Fuentes-Martínez, Eliseo
AU - Alís Raurich, Cristina
AU - De Luca, Elsa
AU - Calvo-Zaragoza, Jorge
N1 - info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT#
info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT#
UIDB/00693/2020
UIDP/00693/2020
PY - 2024/6/27
Y1 - 2024/6/27
N2 - In the last years, several approaches have addressed the encoding of the different music scripts used for plainchant. One of these approaches is the GABC format. While being a comprehensive symbolic representation of square notation, the lack of a formal specification for GABC usually leads to ambiguities, which must be avoided in the specification of any encoding format. Sometimes, the simple trial-and-error approach of entering the GABC code into an engraving system - such as Illuminare, Scrib.io, or GABC Transcription Tool - can solve this ambiguity. However, these engraving systems have shown some inconsistency among themselves when rendering GABC, sometimes displaying different music for the same code snippet. This paper presents a systematic approach to encoding Gregorian chant originally written in Aquitanian neumes and square notation to eliminate ambiguities inherent in the GABC specification. By formalizing the grammar of GABC, we address the challenges of inaccurate renderings in current music notation software. Our methodology includes developing a "Systematic GABC"(S-GABC) following a critical and scientific mentality to ensure the endurance of the notation. This paper demonstrates our system's effectiveness in standardizing Gregorian chant encoding, offering significant contributions to digital musicology and enhancing the accuracy of musical heritage digitization.
AB - In the last years, several approaches have addressed the encoding of the different music scripts used for plainchant. One of these approaches is the GABC format. While being a comprehensive symbolic representation of square notation, the lack of a formal specification for GABC usually leads to ambiguities, which must be avoided in the specification of any encoding format. Sometimes, the simple trial-and-error approach of entering the GABC code into an engraving system - such as Illuminare, Scrib.io, or GABC Transcription Tool - can solve this ambiguity. However, these engraving systems have shown some inconsistency among themselves when rendering GABC, sometimes displaying different music for the same code snippet. This paper presents a systematic approach to encoding Gregorian chant originally written in Aquitanian neumes and square notation to eliminate ambiguities inherent in the GABC specification. By formalizing the grammar of GABC, we address the challenges of inaccurate renderings in current music notation software. Our methodology includes developing a "Systematic GABC"(S-GABC) following a critical and scientific mentality to ensure the endurance of the notation. This paper demonstrates our system's effectiveness in standardizing Gregorian chant encoding, offering significant contributions to digital musicology and enhancing the accuracy of musical heritage digitization.
KW - Aquitanian neumes
KW - GABC
KW - Gregorian chant
KW - MEI
KW - Music encoding
KW - Plainchant
KW - Square notation
UR - http://www.scopus.com/inward/record.url?scp=85197315638&partnerID=8YFLogxK
UR - https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=nova_api&SrcAuth=WosAPI&KeyUT=WOS:001256827500007&DestLinkType=FullRecord&DestApp=WOS_CPL
U2 - 10.1145/3660570.3660581
DO - 10.1145/3660570.3660581
M3 - Conference contribution
AN - SCOPUS:85197315638
T3 - ACM International Conference Proceeding Series
SP - 45
EP - 53
BT - Proceedings of DLfM 2024 - 11th International Conference on Digital Libraries for Musicology
A2 - Weigl, David M.
PB - ACM - Association for Computing Machinery
T2 - 11th International Conference on Digital Libraries for Musicology, DLfM 2024
Y2 - 27 June 2024
ER -