A pintura de quadratura no Brasil colonial: continuidades e descontinuidades de uma forma artística globalizada

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Abstract

Circulation and transformation of the “quadratura” painting in colonial Brazil and its relations with Italian models and Portuguese artistic dynamics.
Original languagePortuguese
Pages (from-to)121-145
Number of pages24
JournalCaiana
Issue number8
Publication statusPublished - 2016

Keywords

  • Quadratura painting
  • Colonial Brazil
  • António Simões Ribeiro
  • Re-signification by Brazilian painters

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