Abstract
Por meio deste ensaio, pretende-se estabelecer uma relação entre a literatura e o cinema a partir da leitura de cenas e efeitos sonoros do filme Sanshô Dayû (O Intendente Sansho, 1954), do cineasta japonês Kenji Mizoguchi, posto que o roteiro do filme foi escrito a partir de novela homônima de Ogai Mori. Para tanto se destacará a importância da articulação entre a nomeação das personagens e a palavra (cantada e escrita) na montagem desse clássico do cinema japonês.
Palavras-chave: O intendente Sansho; Kenji Mizoguchi; cinema; literatura.
Abstract: the aim of this essay is to establish a relationship between literature and cinema by analyzing scenes and sound effects of Sanshō Dayū (Sansho the bailiff, 1954) by the Japanese director Kenji Mizoguchi, since the screenplay of the film was written from the homonymous novel by Ogai Mori. To that end, I will highlight the importance of the articulation between the naming of the characters and the word (sung and writing) in the assembly of this classic of the Japanese cinema.
Palavras-chave: O intendente Sansho; Kenji Mizoguchi; cinema; literatura.
Abstract: the aim of this essay is to establish a relationship between literature and cinema by analyzing scenes and sound effects of Sanshō Dayū (Sansho the bailiff, 1954) by the Japanese director Kenji Mizoguchi, since the screenplay of the film was written from the homonymous novel by Ogai Mori. To that end, I will highlight the importance of the articulation between the naming of the characters and the word (sung and writing) in the assembly of this classic of the Japanese cinema.
Translated title of the contribution | The word in motion in the film Sansho the bailiff, de Kenji Mizoguchi |
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Original language | Portuguese |
Pages (from-to) | 204-222 |
Number of pages | 18 |
Journal | Significação: Revista de Cultura Audiovisual |
Volume | 45 |
Issue number | 50 |
DOIs | |
Publication status | Published - 4 Jul 2018 |
Keywords
- Cinema japonês
- literatura e cinema
- Kenji Mizoguchi
- Intendente Sansho
- Escravidão