A Cross-genre Study of the (Ec)Static Perspective of Today's Music

Research output: Contribution to journalReview article

2 Citations (Scopus)

Abstract

This article explores a particular perspective, shared across various contemporary musical currents, that focuses on sound itself as a complex entity. Through the analysis of certain fundamental musical elements and sonic characteristics, this study develops a new method for comparing different genres characterised by a similar approach to sound. Using the benefits of audio, spectra and score examinations, this strategy is applied to post-spectralist and minimalist compositions (e.g. G. F. Haas, B. Lang, R. Nova, G. Verrando), as well as glitch, electronic and basic-channel style pieces (Pan Sonic, R. Ikeda, Raime). Nine musical attributes are identified that help trace a new outlook on various currents in today's music. The study's contribution lies in its revealing of a shared musical perspective between different artistic practices, and in the establishment of new connections between pieces that belong to unrelated contexts.

Original languageEnglish
Pages (from-to)331-339
Number of pages9
JournalOrganised Sound
Volume20
Issue number3
DOIs
Publication statusPublished - 16 Nov 2015

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Acoustic waves
Chemical analysis
Genre Studies
Sound
Music
Musical Elements
Language
Artistic Practice
Fundamental
Entity

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A Cross-genre Study of the (Ec)Static Perspective of Today's Music. / Wanke, Riccardo.

In: Organised Sound, Vol. 20, No. 3, 16.11.2015, p. 331-339.

Research output: Contribution to journalReview article

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