Research output per year
Research output per year
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Subjectivity and objectivity in Kierkegaard
Eckerson, S. E., 24 Feb 2017, Kierkegaard Secondary Literature: Tome VI: Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish. Stewart, J. (ed.). London: Routledge, p. 39-41 3 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Elvira: The Colossal Feminine Character, from Donna Abbandonata to the Embodiment of Modern Sorrow
Eckerson, S., 1 Jan 2014, Kierkegaard’s Literary Figures and Motifs. Sources, Reception and Resources, Volume 16, Tomo I: Agamennon to Guadalquivir,. Aldershot: Ashgate Publishing, p. 171–186Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Figaro: The Opera and the Character He Represents
Eckerson, S., 1 Jan 2014, Kierkegaard’s Literary Figures and Motifs. Sources, Reception and Resources, Volume 16, Tomo I: Agamennon to Guadalquivir,. Aldershot: Ashgate Publishing, p. 243–249Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Kierkegaard's "musical ideas": Determinations and Reconciliation of "A Cursory Observation" and "The Immediate Erotic Stages"
Eckerson, S., 1 Jan 2013, Kierkegaard and the Challenges of Infinitude. Philosophy and Literature in Dialogue. Miranda, J. J., De, S. E. M. & René, R. (eds.). Lisboa: Centro de Filosofia da Universidade de Lisboa (CFUL), p. 33-38Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Contrarianism in the Philosophy of Music and the Role of the Idea in Musical Hermeneutics and Performance Interpretation
Eckerson, S., 1 Jan 2012, In: Teorema. XXXI, 3, p. 137-148Research output: Contribution to journal › Article › peer-review
2 Citations (Scopus)