• Edifício I&D Av. de Berna, 26 – 3º, Salas 301 a 303 e 319 1069-061 LISBOA

    Portugal

Accepting PhD Students

  • 5 Citations
  • 2 h-Index
20112019
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Research Output at NOVA 2011 2019

2019

Domenico Scarlatti in Portugal and Spain

D'Alvarenga, J. P. & Pedrero-Encabo, Á., 2019, The Cambridge Companion to the Harpsichord. Kroll, M. (ed.). New York: Cambridge Universtiy Press, p. 201-210 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Juan de anchieta and the iberian motet around 1500

D'alvarenga, J. P., 1 Jan 2019, In : Acta Musicologica. 91, 1, p. 21-47 27 p.

Research output: Contribution to journalArticle

Motet
Composer
Manuscripts
Spain
Attribution

Portugal

D'Alvarenga, J. P., Jan 2019, The Cambridge Companion to the Harpsichord. Kroll, M. (ed.). New York: Cambridge Universtiy Press, p. 165-184 19 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2018
25 Downloads (Pure)
Open Access
File
Church music
1720s
1730s
Rome
Prestige
2 Downloads (Pure)

More on the Kyries tenebrarum: textual and chant traditions in Portugal, and polyphony around 1500

D'Alvarenga, J. P., Jun 2018, p. 22-23. 2 p.

Research output: Contribution to conferenceAbstract

Open Access
File
2017

Patterns for Sixteenth- to Early-Seventeenth-Century Portuguese Polyphonic Settings of the Requiem Mass

D'Alvarenga, J. P., 2017, Música e História: Estudos em homenagem a Manuel Carlos de Brito . Ferreira, M. P. & Cascudo, T. (eds.). Lisboa: Colibri, p. 53-76 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Requiem
Polyphonic
Chant
Repertory
Texture

Some Philological Issues Revisited

D'Alvarenga, J. P., 6 Jan 2017.

Research output: Contribution to conferencePaper

Portugal
Manuscripts
Music
Spain
Polyphonic
Portugal
Manuscripts
Music
Spain
Polyphonic

The Iberian Motet around 1500

D'Alvarenga, J. P., Jul 2017.

Research output: Contribution to conferencePaper

The Iberian Motet around 1500

D'Alvarenga, J. P., 2017, p. 27-28. 2 p.

Research output: Contribution to conferenceAbstract

42 Downloads (Pure)
Open Access
File
Medieval Period
Diocese
Verse
Restoration
Manuscripts
2016

Some Identifying Features of Late Fifteenth- and Early Sixteenth-Century Portuguese Polyphony

D'Alvarenga, J. P., 2016, Musical Exchanges, 1100-1650: Iberian Connections. Pedro Ferreira, M. (ed.). Kassel: Edition Reichenberger, p. 165-190 25 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

5 Downloads (Pure)
Open Access
File
Open Access
File
2015

«Cantar ao órgão» em Portugal na segunda metade do século XVI

D'Alvarenga, J. P., 2015, p. 5-6. 1 p.

Research output: Contribution to conferenceAbstract

Open Access
Holy Week
Innovation
Sacred Music
Choirbooks
Church music
2 Citations (Scopus)

On performing practices in mid-to late 16th-century Portuguese church music: The cappella of Évora Cathedral

D'Alvarenga, J. P., 2015, In : Early Music. 43, 1, p. 3-21 19 p.

Research output: Contribution to journalReview article

Cathedrals
Church music
Cappella
Portugal
Cathedral Chapter
Church music
Singers
Ceremony
Instrumentalist
Performer
Open Access
File
Manuscripts
Authorship
Cathedrals
Church music
Repertory
2014
Open Access
File

Revista Portuguesa de Musicologia

D'Alvarenga, J. P. (ed.), 2014, In : Revista Portuguesa de Musicologia.

Research output: Contribution to journalEditorial

1 Downloads (Pure)

The Office of the Dead in Portuguese Medieval Uses: Évora and Santa Cruz in Coimbra

D'Alvarenga, J. P., 12 Oct 2014, p. 20-21. 2 p.

Research output: Contribution to conferenceAbstract

Open Access
File
Canon
Medieval Period
Manuscripts
Augustinians
Regular
Canon
Medieval Period
Manuscripts
Augustinians
Regular
2013
Requiem
Portugal
Manuscripts
Barcelona
Medieval Period

Handling of form, style markers and authorial identity: Two case studies around the work of Carlos Seixas

D'Alvarenga, J. P., 2012, Anais do IV Encontro de Musicologia de Ribeirão Preto. Souza, R. C. D. (ed.). Regensburg University, p. 288-295

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2011
Manuscripts
Stemma
Polyphony
Composer
Holy Week
3 Citations (Scopus)

'TO MAKE OF LISBON A NEW ROME': THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S

D'Alvarenga, J. P., Sep 2011, In : Eighteenth-Century Music. 8, 2, p. 179-214 36 p.

Research output: Contribution to journalArticle