Research output

Research output per year 2005 2014 2016 2019 2021 2022 2024

• 18 Article
• 13 Abstract
• 8 Chapter
• 3 Book
• 9 More
  • 2 Editorial
  • 1 Conference contribution
  • 1 Paper
  • 1 Book/Film/Article review
  • 1 Short survey
  • 1 Review article
  • 1 Web publication/site
  • 1 Other contribution

Research output per year

Research output per year

Search results

• 2024

  Accompanied Solo Singing in the Time of Manuel Rodrigues Coelho

  d'Alvarenga, J. P., 2024, Manuel Rodrigues Coelho: Flores de Musica (1620). Vol. III: Liturgical Works. Vaz, J. (ed.). Bologna: Ut Orpheus, p. xv-xvii 3 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2023

  A rare responsory and an even rarer prosula for Pentecost in 13th-century Portuguese fragments

  D'Alvarenga, J. P., 24 Jul 2023, p. 33. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  • Breviary 100%
  • Pentecost 91%
  • Sunday 36%
  • Music 34%
  • Dissemination 33%

• Fragmentary Motets in Coimbra Sources from the 1570s

  D'Alvarenga, J. P., 19 Jul 2023, p. 20. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • 1570s 100%
  • Motet 91%
  • Autograph 84%
  • Choirbooks 57%
  • Breviary 51%
  2 Downloads (Pure)
• 2022

  Lost&Found project: Analysing and reconstructing sixteenth-century Portuguese polyphony

  D'Alvarenga, J. P., 2022

  Research output: Non-textual form › Web publication/site

• Novas observações sobre o manuscrito P-Cug MM 3 e a sua colecção de missas

  Translated title of the contribution: Further Remarks on Manuscript P-Cug MM 3 and its Collection of MassesD'Alvarenga, J. P., 10 Nov 2022, p. 108. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Manuscripts 100%
  11 Downloads (Pure)

• On Imitation and Style in Mid to Late 16th-Century Portuguese Masses: The Missa O beata Maria by Francisco de Santa Maria and its Model

  D'Alvarenga, J. P., 5 Jul 2022, p. 2-3. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Late 16th Century 100%
  • Imitation 67%
  • Partbook 41%
  • Composer 39%
  • Imitatio 34%
  11 Downloads (Pure)

• The Motets of Pedro de Escobar Revisited

  D'Alvarenga, J. P., 23 Aug 2022, p. 260-261. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Motet 100%
  • Requiem 25%
  • Seville 22%
  • Iberian Peninsula 20%
  • Nationality 20%
  16 Downloads (Pure)

• Two Early Thirteenth-Century Fragments from Coimbra and Braga

  D'Alvarenga, J. P., 2022, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 8, 1, p. 43-76 34 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Early Thirteenth Century 100%
  • Lidar 24%
  • Breviaries 24%
  • Parchment 18%
  • The Cantos 18%
  37 Downloads (Pure)
• 2021

  Introduction

  D'Alvarenga, J. P., 2021, The Anatomy of Iberian Polyphony around 1500. Rodríguez-García, E. & d'Alvarenga, J. P. (eds.). Kassel: Reichenberger, p. 1-11 11 p. (Iberian Early Music Studies; vol. 5).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Mapping the Responsory Ave festiva ferculi

  D'Alvarenga, J. P., 5 Jul 2021, p. 98-99. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Motet 100%
  • Southern France 50%
  • Iberian Peninsula 41%
  • Feast 40%
  • Verse 31%
  23 Downloads (Pure)

• Motet Selections in Early to Mid Sixteenth-Century Spanish and Portuguese Manuscripts

  D'Alvarenga, J. P., 2021, The Anatomy of Iberian Polyphony around 1500. Rodríguez-García, E. & d'Alvarenga, J. P. (eds.). Kassel: Reichenberger, p. 229-267 39 p. (Iberian Early Music Studies; vol. 5).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Six Centuries of Music

  Translated title of the contribution: Seis séculos de música: raridades manuscritas em Portugal (1000-1600)Ferreira, M. P. & d'Alvarenga, J. P., 2021, Lisboa: CESEM. 23 p.

  Research output: Book/Report › Book › peer-review

  Open Access

  • Portugal 100%
  • music 87%

• The Anatomy of Iberian Polyphony around 1500

  Rodríguez-Garcia, E., D'Alvarenga, J. P. & Raimundo, N. D. M., 2021, Kassel: Reichenberger. 482 p. (Iberian Early Music Studies; vol. 5)

  Research output: Book/Report › Book › peer-review

  • Polyphony 100%
  • Music 88%
  • Polyphonic 72%
  • Repertory 46%
  • Collegiality 30%
• 2020

  Les manuscrits musicaux du monastère de Belém

  Boudeau, O. & d'Alvarenga, J. P., 2020, In: Gazette du livre médiéval. 66, p. 168-169 2 p.

  Research output: Contribution to journal › Short survey
• 2019

  Archive of Iberian Polyphony

  D'Alvarenga, J. P. (ed.), Rodríguez-Garcia, E. (ed.) & Raimundo, N. D. M. (ed.), 2019, CESEM.

  Research output: Other contribution › peer-review

• Domenico Scarlatti in Portugal and Spain

  D'Alvarenga, J. P. & Pedrero-Encabo, Á., 2019, The Cambridge Companion to the Harpsichord. Kroll, M. (ed.). New York: Cambridge University Press, p. 201-210 9 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Fr. Fernando de Almeida (1603/4-1660): Obras completas: Vol. 1: Obras para Quinta-Feira Santa

  Translated title of the contribution: Fr. Fernando de Almeida (1603/4-1660): Complete Works: Vol. 1: Works for Maundy ThursdayD'Alvarenga, J. P. & Vaz, J., 2019, Lisboa: Instituto Politécnico de Lisboa/CESEM. 168 p. (Edições Musicais do CESEM; no. 6)

  Research output: Book/Report › Book

  Open Access

  File
  169 Downloads (Pure)

• Juan de anchieta and the iberian motet around 1500

  D'alvarenga, J. P., 1 Jan 2019, In: Acta Musicologica. 91, 1, p. 21-47 27 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Motet 100%
  • Composer 31%
  • Segovia 28%
  • Manuscripts 26%
  • Cultural Context 19%
  113 Downloads (Pure)

• On the Transmission of Iberian Polyphonic: Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited

  D'Alvarenga, J. P., 2019, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 6, 1, p. 5-27 23 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Polyphonic 100%
  • Music 90%
  • Manuscripts 61%
  • Portugal 56%
  • Late Fifteenth Century 38%
  105 Downloads (Pure)

• Portugal

  D'Alvarenga, J. P., Jan 2019, The Cambridge Companion to the Harpsichord. Kroll, M. (ed.). New York: Cambridge University Press, p. 165-184 19 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500

  D'Alvarenga, J. P., 2019, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 6, 1, p. 91-111 21 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Textual Tradition 100%
  • Polyphony 94%
  • Chant 92%
  • Polyphonic 91%
  • Portugal 76%
  37 Downloads (Pure)

• The Liturgical Use and Chant Tradition of Évora Cathedral from a Fragment of a Thirteenth-Century Antiphoner

  D'Alvarenga, J. P., Nov 2019, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 5, 2, p. 299-314 16 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Chant 100%
  • Cathedral 81%
  • Notation 29%
  • Transcription 28%
  • Idioms 27%
  26 Downloads (Pure)

• Thematic Dossier: Recent Research on Iberian Polyphony c.1500: Music, Composers, Sources, and Transmission

  D'Alvarenga, J. P. & Rodríguez-Garcia, E., 2019, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 6, 1, p. 1-4 4 p.

  Research output: Contribution to journal › Editorial › peer-review

  Open Access

  File
  42 Downloads (Pure)

• The Music of Fernando de Almeida

  D'Alvarenga, J. P. & Vaz, J., 2019, Fr. Fernando de Almeida (1603/4-1660): Obras completas. Vol. 1: Obras para Quinta-Feira Santa. d'Alvarenga, J. P. & Vaz, J. (eds.). Lisboa: Instituto Politécnico de Lisboa/CESEM, Vol. 1. p. 27-34 8 p. (Edições Musicais do CESEM; no. 6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

  File
  16 Downloads (Pure)
• 2018

  Allo stile dei musici di questa nazione: Balancing the Old and New in Portuguese Church Music from the 1720s and 1730s

  D'Alvarenga, J. P., 2018, In: Basler Jahrbuch für Historische Musikpraxis . 38, p. 33-53 20 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Church music 100%
  • 1720s 99%
  • 1730s 95%
  • Portuguese Culture 23%
  • Rome 22%
  142 Downloads (Pure)

• More on the Kyries tenebrarum: textual and chant traditions in Portugal, and polyphony around 1500

  D'Alvarenga, J. P., Jun 2018, p. 22-23. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  19 Downloads (Pure)
• 2017

  Patterns for Sixteenth- to Early-Seventeenth-Century Portuguese Polyphonic Settings of the Requiem Mass

  D'Alvarenga, J. P., 2017, Música e História: Estudos em homenagem a Manuel Carlos de Brito . Ferreira, M. P. & Cascudo, T. (eds.). Lisboa: Colibri, p. 53-76 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • seventeenth century 100%
  • structural model 18%
  • genre 16%
  • Spain 14%
  • acceptance 13%

• The Circulation of Iberian Polyphonic Music in the Early Decades of the 16th Century: Two Case Studies

  D'Alvarenga, J. P., 2017, p. 83. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Polyphonic 100%
  • Music 90%
  • Portugal 84%
  • Musicians 74%
  • Spain 63%
  19 Downloads (Pure)

• The Office of the Dead in Portuguese Medieval Uses

  D'Alvarenga, J. P., 2017, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 4, 1, p. 167-204 38 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • French Source 100%
  • Prelates 98%
  • Manuscript Sources 92%
  • Middle Age 92%
  • Restoration 82%
  70 Downloads (Pure)
• 2016

  Some Identifying Features of Late Fifteenth- and Early Sixteenth-Century Portuguese Polyphony

  D'Alvarenga, J. P., 2016, Musical Exchanges, 1100-1650: Iberian Connections. Pedro Ferreira, M. (ed.). Kassel: Edition Reichenberger, p. 165-190 25 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Tecnologias digitais e investigação musicológica (ii): estudos de caso a partir de materiais em bases de dados

  D'Alvarenga, J. P., 2016, p. 65. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  24 Downloads (Pure)

• The Office of the Dead in Portuguese Medieval Uses: Braga and Coimbra

  D'Alvarenga, J. P., 2016. 2 p.

  Research output: Contribution to conference › Paper › peer-review

• Two polyphonic settings of the mass for the dead from late sixteenth-century Portugal: Bridging pre- And post- tridentine traditions

  D'Alvarenga, J. P., 1 Jan 2016, In: Acta Musicologica. 88, 1, p. 5-33 29 p.

  Research output: Contribution to journal › Article › peer-review

  • Century Portugal 100%
  • Requiem 88%
  • Polyphonic 75%
  • Offertory 36%
  • Chant 25%
  2 Citations (Scopus)

• Uma breve panorâmica da música sacra em Portugal nas décadas de 1720 e 1730

  D'Alvarenga, J. P., 2016.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  19 Downloads (Pure)
• 2015

  Fernando de almeida (d. 1660): tradition and innovation in mid-seventeenth-century portuguese sacred music

  D'Alvarenga, J. P., 2015, In: Anuario Musical. 70, p. 63-79

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Choirbooks 100%
  • Holy Week 90%
  • Sacred Music 82%
  • Concertato 56%
  • Italian Composer 46%

• On performing practices in mid-to late 16th-century Portuguese church music: The cappella of Évora Cathedral

  D'Alvarenga, J. P., 2015, In: Early Music. 43, 1, p. 3-21 19 p.

  Research output: Contribution to journal › Article › peer-review

  • Cappella 100%
  • Church music 95%
  • Late 16th Century 93%
  • Cathedral Chapter 65%
  • Cathedral 64%
  4 Citations (Scopus)

• Polyphonic Church Music and Sources from Late Sixteenth- Century Évora Cathedral

  D'Alvarenga, J. P., 2015, In: Revista Portuguesa de Musicologia. 2, 1, p. 19-40 21 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Church music 100%
  • Polyphonic 81%
  • Repertory 78%
  • Cathedral 67%
  • Authorship 64%
  235 Downloads (Pure)
• 2014

  "Allo stile dei musici di questa nazione": Balancing the Old and New in Portuguese Church Music from the 1720s and 30s

  D'Alvarenga, J. P., 20 Nov 2014. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  14 Downloads (Pure)

• Eine Pretiose des portugiesischen Orgelbarock: Die Orgel (1765) in São Vicente de Fora zu Lissabon

  D'Alvarenga, J. P., 2014, In: Organ: Journal für die Orgel. 17, 3, p. 12-16

  Research output: Contribution to journal › Article

• Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure

  D'Alvarenga, J. P., 2014, p. 9-9.

  Research output: Contribution to conference › Abstract › peer-review

• Revista Portuguesa de Musicologia

  D'Alvarenga, J. P. (ed.), 2014, In: Revista Portuguesa de Musicologia.

  Research output: Contribution to journal › Editorial › peer-review

• The Office of the Dead in Portuguese Medieval Uses: Évora and Santa Cruz in Coimbra

  D'Alvarenga, J. P., 12 Oct 2014, p. 20-21. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Augustinians 100%
  • Ancestry 95%
  • Canon 75%
  • Regular 72%
  • Manuscripts 62%
  18 Downloads (Pure)
• 2013

  A Neglected Anonymous Requiem Mass of the Early Sixteenth Century and Its Possible Context

  D'Alvarenga, J. P., 2013, In: Musica Disciplina. p. 155-189 35 p.

  Research output: Contribution to journal › Article › peer-review

  • Requiem 100%
  • Medieval music 37%
  • Barcelona 31%
  • Polyphonic 28%
  • Music 25%
• 2012

  Carlos Seixas’s Harpsichord Concerto in G Minor: An Essay in Style Analysis and Authorship Attribution

  D'Alvarenga, J. P., 2012, In: Ad Parnassum: A Journal of Eighteenth- and Nineteenth- Century Instrumental Music. 10, p. 27-50

  Research output: Contribution to journal › Article › peer-review

• Handling of form, style markers and authorial identity: Two case studies around the work of Carlos Seixas

  D'Alvarenga, J. P., 2012, Anais do IV Encontro de Musicologia de Ribeirão Preto. Souza, R. C. D. (ed.). Regensburg University, p. 288-295

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• 'TO MAKE OF LISBON A NEW ROME': THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S (vol 8, pg 179, 2011)

  D'Alvarenga, J. P., Sept 2012, In: Eighteenth-Century Music. 9, 2, p. 295-295 1 p.

  Research output: Contribution to journal › Article › peer-review
• 2011

  Manuscript Évora, Biblioteca Pública, Cód. Cli/1-3: Its origin and contents, and the stemmata of late-sixteenth-and early-seventeenth-century Portuguese sources

  D'Alvarenga, J. P., Jan 2011, In: Anuario Musical. 66, p. 137-158 22 p.

  Research output: Contribution to journal › Review article › peer-review

  • Stemma 100%
  • Manuscripts 49%
  • 17th Century 46%
  • Polyphony 41%
  • Holy Week 26%
  2 Citations (Scopus)

• 'TO MAKE OF LISBON A NEW ROME': THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S

  D'Alvarenga, J. P., Sept 2011, In: Eighteenth-Century Music. 8, 2, p. 179-214 36 p.

  Research output: Contribution to journal › Article › peer-review

  • New Rome 100%
  • 1720s 91%
  • 1730s 88%
  • Lisbon 74%
  • Repertory 72%
  6 Citations (Scopus)
• 2010

  Some Notes on the Reception of Josquin and of Northern Idioms in Portuguese Music and Culture

  D'Alvarenga, J. P., 2010, In: Journal of the Alamire Foundation. 2, 1, p. 69-89 21 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Polyphony 100%
  • Music 88%
  • Idioms 81%
  • Reception 60%
  • Johannes Ockeghem 48%
  1 Downloads (Pure)
• 2009

  Some Preliminaries in Approaching Carlos Seixas' Keyboard Sonatas

  D'Alvarenga, J. P., 2009, In: Ad Parnassum. 7, 13, p. 95-128 34 p.

  Research output: Contribution to journal › Article › peer-review