Elsa De Luca

PhD

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Accepting PhD Students

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20102025

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ELSA DE LUCA is Assistant Professor of Early Music at NOVA University Lisbon and is deeply involved in the development of tools for computer-assisted research in early music, particularly databases and the automatic encoding of plainchant. She leads the interdisciplinary research project Echoes from the Past: Unveiling a Lost Soundscape with Digital Analysis (2022.01957.PTDC). Echoes was awarded €249,506.19 in funding and it was ranked first in the 2022 Portuguese national call for research projects in the 'Arts' category. 

Elsa has published extensively on musical notation, cryptography, and liturgy in Iberian and French manuscripts in Early Music HistoryJournal of Medieval Iberian StudiesMusikTheorieRevue de MusicologieAnuario de Estudios MedievalesPortuguese Journal of Musicology, among others. She has co-edited two special issues—one for Transactions of the International Society for Music Information Retrieval (Digital Musicology, in progress) and another for the Journal of Medieval Iberian Studies (Connecting the Dots: New Research Paradigms for Iberian Manuscripts as Material Objects). She has also co-edited the Proceedings of the Music Encoding Conference, Tufts University 26-29 May 2020, the Digital Libraries for Musicology 2025 Proceedings, as well as two volumes entitled The Materiality of Sound in Chant Manuscripts in the West (2023) and The Materiality of Sound in Chant Manuscripts in the East (2025). She is Executive Secretary of the Centre for Music Studies (CESEM) at NOVA University Lisbon, coordinates the Portuguese Early Music Database, co-directs the book series Musicalia Antiquitatis & Medii Aevi (Brepols), and serves as Treasurer of the Portuguese Society for Research in Music (SPIM). In 2023 she has joined the CESEM-FCSH editorial committee and served as review editor for the Portuguese Journal of Musicology new series between 2023 and 2025. Over the years, Elsa has collaborated in ten research projects in Italy, France, Portugal, the UK and Canada. 

Main areas of teaching

Music paleography and codicology

Music encoding (early music)

Music history and analysis (medieval and renaissance music)

Historical performance practice

Education/Academic qualification

Musicology, Doctorate, Dissertation: ‘I manoscritti musicali dell’Archivio di San Nicola a Bari: elementi francesi nella musica e nella liturgia’. Supervisor: Marco Gozzi.

1 Sept 200731 Jan 2011

Award Date: 31 Jan 2011

Piano Performance, Piano Diploma, Istituto Musicale Pareggiato ai Conservatori di Stato, Ceglie Messapica (BR), Italy

Nov 1993Sept 2002

Award Date: 11 Sept 2002

External positions

Post-Doc Researcher, Centro de Estudos de Sociologia e Estética Musical (CESEM)

1 Oct 201631 Jan 2019

Postdoctoral Research Assistant , University of Bristol

1 May 201331 Aug 2016

FCT Post-Doc Researcher

1 May 201130 Apr 2013

Keywords

  • M Music
  • Early Music
  • Plainchant
  • Performance Practice
  • Digital Humanities
  • Music Encoding
  • Musical Notation
  • Musical analysis
  • BR Christianity
  • Medieval Liturgy
  • Z004 Books. Writing. Paleography
  • Music Palaeography
  • Codicology

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