Bernadette Nelson

Nelson, B., 1 Jul 2023, The Book of Requiems, 1550–1650: From the Earliest Ages to the Present Period. Burn, D. J. & Chemotti, A. (eds.). Leuven: Leuven University Press, Vol. 2. p. 227-240 13 p. (The Book of Requiems).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Manuel Cardoso (c. 1566-1650): Missa pro defunctis for six voices and Missa pro defunctis for four voices

Nelson, B., 1 Jul 2023, The Book of Requiems, 1550-1650: From the Earliest Ages to the Present Period. Burn, D. J. & Chemotti, A. (eds.). Leuven: Leuven University Press, Vol. 2. p. 195-225 30 p. (The Book of Requiems).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

The Mass of St Gregory

Nelson, B., 1 Jan 2023, The Museum of Renaissance Music : A History in 100 Exhibits. Borghetti, V. & Shephard, T. (eds.). Turnhout: Brepols Publishers, p. 54-57 4 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Thematic Considerations and Questions of Symbolism in Josquin’s Missa de Beata Virgine as Further Revealed Through the Music of Morales

Nelson, B., 28 Sept 2023, p. 22-23. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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What’s the Motive? : Thematic Considerations and Questions of Symbolism in Josquin’s Missa de Beata Virgine as Further Revealed Through the Music of Morales

Nelson, B., 24 Jul 2023, p. 153. 1 p.

Research output: Contribution to conference › Abstract › peer-review

What’s the Motive? Thematic Considerations and Queestions of Symbolism in Josquin’s Missa de Beata Virgine as Further Revealed Through the Music of Morales

Nelson, B., 20 Jul 2023, p. 153. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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Wolfenbüttel Cod. Guelf. A Aug. 2º: Repertories, Themes, and Contexts

Nelson, B., 25 Jul 2023, p. 7. 1 p.

Research output: Contribution to conference › Abstract › peer-review

2022

Cambridge Taverner Choir: Music from Renaissance Portugal (music by Duarte Lobo, Pedro de Cristo & others): Boxgrove Priory, Chichester, Sussex, England

Nelson, B., 18 Sept 2022

Research output: Non-textual form › Performance

From Africa to Portugal: Black Slave Musicians in Sixteenth-Century Portuguese Court Culture - Apprenticeship to Image of Power and Prestige

Nelson, B., 22 Aug 2022, p. 422-423. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

Like as Okeghem? Questions of Northern Influences in Early Spanish Polyphony – Pedro de Escobar’s Requiem Revisited

Nelson, B., 4 Jul 2022, p. 45-46. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

Merely an abstraction? or Three into Two Won’t Go: The ‘tres breves negros’ of Josquin and Morales in Iberian Treatises and Further Symbolism

Nelson, B., 4 May 2022, p. 24-24. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

Notational Problems in Iberian Treatises: The ‘tres breves negros’ of Josquin and Morales

Nelson, B., 10 Nov 2022, p. 24-24. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

2021

Cambridge Renaissance Voices: Choral Masterpieces of the European Renaissance

Nelson, B., 22 Aug 2021

Research output: Non-textual form › Performance

Cecidit corona capitis nostri: A lament for a Portuguese king in the age of Josquin & further relations between motets in the Quis dabit tradition

Nelson, B., 5 Jul 2021, p. 158-158. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

From Vicentino to Goldoni: A royal court musician’s library in mid-eighteenth-century Lisbon

Nelson, B., 15 Jul 2021, p. 113-113. 1 p.

Research output: Contribution to conference › Abstract › peer-review

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Manuscript Tarazona 2/3 and the early Iberian hymn: An international perspective in the post-Du Fay age

Nelson, B., 1 Jan 2021, The Anatomy of Iberian Polyphony around 1500. Rodríguez-García, E. & d'Alvarenga, J. P. (eds.). Kassel: Edition Reichenberger, Vol. 5. p. 107-51 44 p. (Iberian Early Music Studies).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Okeghem’s musical legacy in the Iberian Peninsula and Pedro de Escobar’s Missa de Requiem

Nelson, B., 11 Nov 2021, p. 36-36. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

Why by ‘Jusquin’? Towards a stylistic contextualisation of Ave festiva ferculis

Nelson, B., 5 Jul 2021, p. 99-100. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

2019

Early international printed music in João IV’s music library to c.1600: further identification and classification of a lost collection

Nelson, B. M. B., 2019, p. 24-25. 2 p.

Research output: Contribution to conference › Abstract › peer-review

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From Anchieta to Guerrero: The Salve Regina in Portuguese Sources and an Unknown Early Spanish Alternatim Setting

Nelson, B. M. B., 2019, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 6, 1, p. 113-156 34 p.

Research output: Contribution to journal › Article › peer-review

Open Access

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Literary Evidence for the Circulation of Spanish Songs in Portugal, c.1480-c.1530

Nelson, B., 3 Jul 2019, p. 96-97. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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Sounding the Trumpet at Dawn: The Role of Music and Sound in Outdoor Events and Ceremony at the Court of the Dukes of Braganza in the 16th Century

Nelson, B., 16 Oct 2019, p. 28-29. 2 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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Vinte livros de música polifónica da capela ducal de Vila Viçosa no século XVI: uma coleção perdida

Nelson, B., 26 Jul 2019.

Research output: Contribution to conference › Abstract

Open Access

‘Cantar bem’: King Duarte’s Ordenança or Regimento and musical practice in the Portuguese royal chapel in the early fifteenth century

Nelson, B., 1 Jan 2019, Escola de Música da Sé de Évora. Ferro, F. M. D. (ed.). Lisbon: Edições Colibri, Vol. 8. p. 39-88 49 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

“Cantar bem”: a Ordenança ou Regimento de El-Rei D. Duarte e a prática musical na Capela Real portuguesa no início do século XV’

Nelson, B. M. B., Dec 2019, Escola de Música da Sé de Évora: conferências/XXI Jornadas Internacionais "Escola de Música da Sé de Évora" . Lisboa: Colibri, p. 39-63 24 p.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

2018

A Capela e a Música

Nelson, B., 2018, De Todas as Partes do Mundo: O Património do 5º. Duque de Bragança, D. Teodósio I. Hallett, J. & Senos, N. (eds.). Lisboa: Tinta-da-China / CHAM, p. 239-248 10 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Crossing Cultural Boundaries: Black Slave Musicians and European Musical Collections in the Courts of Portuguese Nobility, c. Mid to Late 16th Century

Nelson, B. M. B., 2018, p. 248-248. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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Josquin’s Missa Pange Lingua Reconsidered: Further Thematic Links with Music in the Alamire Manuscripts

Nelson, B., 2018, p. 20-20. 1 p.

Research output: Contribution to conference › Abstract › peer-review

Open Access

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Os Livros de Música na Biblioteca de D. Teodósio I

Nelson, B. M. B., 2018, De Todas as Partes do Mundo: O Património do 5º. Duque de Bragança, D. Teodósio I. Hallet, J. & Senos, N. (eds.). 1ª ed. Lisbon: Tinta-da-China / CHAM, Vol. 1. p. 307-316 10 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review