Research output

Research output per year 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2024

• 17 Abstract
• 8 Chapter
• 8 Article
• 7 Book/Film/Article review
• 10 More
  • 2 Book
  • 2 Scholarly edition
  • 2 Paper
  • 2 Digital or Visual Products
  • 1 Entry for encyclopedia/dictionary
  • 1 Conference article

Research output per year

Research output per year

Search results

• 2024

  French Dances and the Consort Dances of Matthew Locke and his English Contemporaries

  Woolley, A., 2024, Transitions in Mid-Baroque Music: Style, Genre and Performance. Churnside, C. (ed.). Boydell & Brewer, p. 38-54 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• James Paisible’s Instrumental Trios: A Thematic Catalogue

  Woolley, A., Sept 2024, In: The Viola da Gamba Society Journal. 18b, p. 82-121 40 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  25 Downloads (Pure)

• Sonia Gonzalo Delgado, Santiago Kastner and the Programming of Early Iberian Keyboard Music: (Kassel, Reichenberger, 2021)

  Woolley, A., 2024, In: Revista Portuguesa de Musicologia. 9, 1, p. 221-224 4 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  File
  8 Downloads (Pure)

• The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo

  Woolley, A., Aug 2024, In: Music & Letters. 105, 3, p. 291-312 21 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Musical Score 100%
  • Early Nineteenth-century 70%
  • Italy 61%
  • Lisbon 43%
  • Portugal 37%
• 2023

  A Case for Charpentier: Treatise on Accompaniment and Composition, translated and edited by Carla E. Williams

  Woolley, A., 2023, In: Notes. 79, 3, p. 420-422 2 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• Authorship and Improvisation in Sixteenth- and Seventeenth-Century Keyboard Music

  Woolley, A., 2023, Studies on Authorship in Historical Keyboard Music. Woolley, A. (ed.). London: Routledge, p. 82-105 23 p. (Ashgate Historical Keyboard Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Keyboard music 100%
  • Keyboard 76%
  • Anthologies 74%
  • Improvisation 68%
  • Authorship 58%

• Identifying concordances and musical inter-relationships using digital tools: Where to from here?

  Woolley, A., 2023, p. 8. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Incipit 100%
  • Concordance 88%
  • Interrelationship 70%
  • Music 45%
  • 17th Century 11%
  20 Downloads (Pure)

• Introduction

  Woolley, A., 2023, Studies on Authorship in Historical Keyboard Music. Woolley, A. (ed.). Routledge | Taylor & Francis Group, p. 1-7 7 p. (Ashgate Historical Keyboard Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Authorship 100%
  • Keyboard music 86%
  • Anthologies 63%
  • Late Eighteenth-century 56%
  • Authenticity 47%

• Studies on Authorship in Historical Keyboard Music

  Woolley, A., 2023, Routledge | Taylor & Francis Group. 222 p.

  Research output: Book/Report › Book › peer-review

  • Keyboard music 100%
  • Authorship 58%
  • Music 33%
  • Arranger 24%
  • History of Books 21%
• 2022

  Aural transmission and the role of notation in the dissemination of miscellaneous airs in the seventeenth century: insights from the collection in P-BRad MS 964

  Woolley, A., 2022, p. 428. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Aural 100%
  • Notation 89%
  • Dissemination 86%
  • Air 81%
  • 17th Century 57%
  20 Downloads (Pure)

• Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19-21 November 2021

  Woolley, A., 1 Sept 2022, In: Eighteenth-Century Music. 19, 2, p. 240-242 3 p.

  Research output: Contribution to journal › Conference article › peer-review

  Open Access

• Luis Venegas de Henestrosa and composing keyboard music in sixteenth-century Spain

  Woolley, A., 2022, p. 65-66. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Vihuela 100%
  • Keyboard music 87%
  • Organ music 60%
  • Composing 58%
  • Spain 40%

• Partituras de ópera italiana no Fundo do Conde de Redondo

  Woolley, A., 2022, p. 101-101. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

• Snapshots of a Genre in the Making: Francesco Geminiani’s Sonate a violino, Op. 1, and Francesco Scarlatti’s 11 Sonatas a4 as Precursors of English Corellian Concertos

  Woolley, A., 2022, In: Recercare - Rivista per lo studio e la pratica della musica antica. 34, p. 113-133 20 p.

  Research output: Contribution to journal › Article › peer-review

  • Concerto 100%
  • Precursor 71%
  • English People 55%
  • 1720s 25%
  • Composer 18%

• Watermarks in seventeenth-century music manuscripts from Portugal

  Woolley, A., 2022

  Research output: Non-textual form › Digital or Visual Products

• William Babell's recently discovered toccatas

  Woolley, A., 2022, In: Harpsichord & Fortepiano. 26, 2, p. 27-30 4 p.

  Research output: Contribution to journal › Article
• 2021

  A biografia de Pedro de Araújo revisitada: os factos conhecidos e novas informações

  Woolley, A., 2021

  Research output: Non-textual form › Digital or Visual Products

• A coleção de responsórios e lamentações para voz e baixo contínuo (harpa, órgão ou cravo) do início do século XVIII do manuscrito P-BRad, MS 964

  Translated title of the contribution: The collection of responsories and lamentations for voice and basso continuo (harp, organ or harpsichord) from the beginning of the eighteenth century in P-Brad, Ms 964Woolley, A., 2021, p. 110-111. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

• English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources

  Woolley, A., Charlston, T. & Windram, H., 2021, Oslo: Norsk Musikforlag A/S. 150 p.

  Research output: Book/Report › Scholarly edition › peer-review

  • Keyboard music 100%
  • Manuscript Sources 83%
  • Facsimile 78%
  • Keyboard 76%
  • Fingering 50%

• The Italian Concerto Style in Handel's Early Keyboard Pieces

  Woolley, A., 2021, p. 19. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  9 Downloads (Pure)

• The manuscript collection of an anonymous mid-seventeenth-century composer: the cartapácios in the University of Coimbra General Library

  Woolley, A., 2021, p. 168-169. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Composer 100%
  • Manuscripts 85%
  • Music 84%
  • 17th Century 80%
  • Century Portugal 30%

• William Babell: Toccatas, Suites and Preludes for Harpsichord

  Woolley, A., 2021, Tynset: Lyrebird Music. 153 p.

  Research output: Book/Report › Book › peer-review

  • Toccata 100%
  • Harpsichord 86%
  • Prelude 66%
  • Arrangement 47%
  • Aria 46%
• 2020

  A Catalogue of the ‘French Dances’ in The Dancing Master and Apollo's Banquet (c. 1662-87)

  Woolley, A., 2020, In: Revista Portuguesa de Musicologia / Portuguese Journal of Musicology. 7, 1, p. 7-59 52 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Dance 100%
  • Banquet 87%
  • Apollo 81%
  • Dancing 74%
  • Incipit 45%
  87 Downloads (Pure)

• Od priredb do novih skladb: francoska plesna glasba 17. stoletja v portugalskih in španskih virih

  Translated title of the contribution: From Arrangements to New Compositions: Seventeenth-century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720Woolley, A., 2020, In: De musica disserenda. 16, 1, p. 9-35 26 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Dance 100%
  • Keyboard 86%
  • Music 75%
  • Arrangement 58%
  • French Style 54%
  129 Downloads (Pure)

• The Tunes of the usual French Dances at COURT and DANCING SCHOOLS: the Repertoire and Musical Practice of Dancing Masters in Restoration England

  Woolley, A. L., 2020, Musical Exchanges Between Britain and the Continent, c.1500–1800. Cunningham, J. & White, B. (eds.). Suffolk, Reino Unido: Boydell & Brewer, p. 32-48 16 p. (Music in Britain, 1600-2000 ; vol. 25).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Restoration England 100%
  • Dance 89%
  • Musical Practices 78%
  • Dancing 66%
  • Violin 63%

• Tunes for Violin or Recorder Collected in North-East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB-Lbl, Add. MS 17853)

  Woolley, A., 2020, Music in North-East England Before 1850. Carter, S., Gibson, K. & Southey, R. (eds.). Suffolk: Boydell & Brewer, p. 125-148 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• William Babell as a performer-composer and music copyist

  Woolley, A., Mar 2020, In: Eighteenth-Century Music. 17, 1, p. 87-99 11 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

• William McGibbon, Complete Sonatas: ed. Elizabeth C. Ford, Recent Researches in the Music of the Baroque Era, vol. 204 (A-R Editions, 2018)

  Woolley, A., 2020, In: Eighteenth-Century Scotland. 34, p. 35-36 2 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  File
  32 Downloads (Pure)
• 2019

  Early English keyboard music revitalized

  Woolley, A., Aug 2019, In: Early Music. 47, 3, p. 418-419

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  • Keyboard music 100%
  • Early English 79%
  • Manuscripts 44%

• 'Empréstimos’ de Flores da Música (1620) de Manuel Rodrigues Coelho na música portuguesa para tecla em partitura italiana do final do século XVII

  Woolley, A., 2019, p. 19-20. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Obras 100%
  • Pedro 31%
  • Harmonium 20%
  • Portugal 12%
  10 Downloads (Pure)

• England

  Woolley, A., 2019, The Cambridge Companion to the Harpsichord. Kroll, M. (ed.). Cambridge: Cambridge University Press, p. 47-70 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• The Sonatas of Henry Purcell: Rhetoric and Reversal

  Woolley, A., Feb 2019, In: Music & Letters. 100, 1, p. 136-138 2 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  • Henry Purcell 100%
  • Rhetoric 71%
  • Bass Viol 44%
  • Cantus Firmus 35%
  • Continuo 33%
• 2018

  Authorship and Creative Copying in Braga, Arquivo Distrital, MS 964

  Woolley, A. L., 2018.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Copying 100%
  • Authorship 80%
  • 18th Century 72%
  • Keyboard 70%
  • Manuscripts 62%

• English Keyboard Music 1650–1695: Perspectives on Purcell

  Woolley, A., 2018, London: Stainer and Bell. 190 p. (Purcell Society Companion Series; vol. 6)

  Research output: Book/Report › Scholarly edition › peer-review

• New light on William Babell's development as a keyboard composer

  Woolley, A., May 2018, In: Early Music. 46, 2, p. 251–270 19 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Keyboard 100%
  • Music 87%
  • Bergamo 84%
  • Harpsichord 81%
  • Composer 69%

• The Coimbra cartapácios: copyists and codicology

  Woolley, A. L., 2018, p. 78-79. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

• The seventeenth-century keyboard player’s workshop: a case study from northern Portugal

  Woolley, A. L., 2018, p. 219-219. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Keyboard 100%
  • Portugal 81%
  • Players 75%
  • Manuscripts 59%
  • 17th Century 55%
• 2017

  Ercole Pasquini, Toccate, Canzoni, Ricercari

  Woolley, A. L., 2017, In: FONTES ARTIS MUSICAE. 64, 2, p. 196-197 1 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  • Ricercari 100%

• Manuscript studies: codology, contentes and repertories II,

  Woolley, A., Nov 2017, p. 64. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  13 Downloads (Pure)

• Paper Types and Copyists in Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 66. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Copyists 100%
  • Keyboard music 80%
  • Compilation 49%
  • Vocal music 34%
  • Pedro 30%
  27 Downloads (Pure)

• Paper Types in 17th-and 18th-Century Portuguese Music Manuscripts: Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 18. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Music Manuscripts 100%
  • 18th Century 81%
  • Manuscripts 46%
  • 17th Century 43%
  • Keyboard music 17%
  24 Downloads (Pure)

• The Mary and Elizabeth Roper Manuscript Revisited

  Woolley, A., 2017, The Worlds of Harpsichord and Organ: Liber Amicorum David Fuller. Gustafson, B. (ed.). New York: Pendragon Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2016

  Cobb, Richard

  Woolley, A., 2016, Oxford Music Online. Root, D., V. Bohlman, P., Cross, J., Meconi, H. & H. Roberts, J. (eds.). Oxford: Oxford University Press, p. online

  Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary › peer-review

• Tracing Concordances Using Encoded Numerical Incipits

  Woolley, A., 2016.

  Research output: Contribution to conference › Paper › peer-review

  • diocese 100%
  • music 56%

• Tracing Concordances Using Encoded Numerical Incipits

  Woolley, A., 2016, p. 67-68. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • diocese 100%
  • music 56%
  28 Downloads (Pure)

• William Babell, Jean-François Dandrieu and HWV 441

  Woolley, A., 2016, p. 147-148. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Bergamo 100%
  • Keyboard 79%
  • Manuscripts 46%
  • Borrowing 40%
  • Toccata 37%
  44 Downloads (Pure)

• William Babell, Jean-François Dandrieu and HWV 441

  Woolley, A., 2016.

  Research output: Contribution to conference › Paper › peer-review

  • Bergamo 100%
  • Keyboard 79%
  • Manuscripts 46%
  • Borrowing 40%
  • Toccata 37%
• 2015

  French Dances’ in Late Seventeenth-Century England

  Woolley, A., 2015.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Dance 100%
  • England 70%
  • Repertoire 65%
  • 17th Century 48%
  • Dancing 44%

• Neapolitan Sacred Music in Eighteenth-Century Britain: The Case of Pergolesi’s Messa di S. Emidio

  Woolley, A., 2015, Pergolesi Studies 10, ed. Claudio Bacciagaluppi and Angela Fiore. Bacciagaluppi, C. & Fiore, A. (eds.). Bern: Peter Lang, p. 186-207

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The advancement of music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music

  Woolley, A., May 2015, In: Early Music. 43, 2, p. 327-328 2 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access