Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)

Research output

Research output per year 2000 2014 2016 2017 2020 2023

• 452 Chapter
• 428 Article
• 408 Abstract
• 256 Data set/Database
• 1276 More
  • 224 Performance
  • 202 Paper
  • 168 Book
  • 129 Composition
  • 128 Other contribution
  • 107 Conference contribution
  • 86 Book/Film/Article review
  • 58 Other
  • 35 Digital or Visual Products
  • 27 Entry for encyclopedia/dictionary
  • 18 Web publication/site
  • 16 Poster
  • 15 Conference article
  • 9 Foreword/postscript
  • 9 Editorial
  • 8 Review article
  • 7 Comment/debate
  • 5 Short survey
  • 5 Master's Thesis
  • 3 Exhibition
  • 3 Working paper
  • 2 Commissioned report
  • 2 Other report
  • 2 Scholarly edition
  • 2 Meeting Abstract
  • 2 Special issue
  • 2 Doctoral Thesis
  • 1 Other chapter contribution
  • 1 Literature review

Research output per year

Research output per year

Search results

• Abstract

  On Filmic Virtualities: Beyond Fiction/Documentary Divide with Peter Watkins

  Cachopo, J. P., 2016.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Virtuality 100%
  • Fiction 92%
  • Documentary 65%
  • Diptych 37%
  • Voids 27%
  7 Downloads (Pure)

• On Imitation and Style in Mid to Late 16th-Century Portuguese Masses: The Missa O beata Maria by Francisco de Santa Maria and its Model

  D'Alvarenga, J. P., 5 Jul 2022, p. 2-3. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Late 16th Century 100%
  • Imitation 67%
  • Partbook 41%
  • Composer 39%
  • Imitatio 34%
  1 Downloads (Pure)

• On the interplay of past, present and future: How can contemporary art conservators contribute to the preservation of contemporary musical heritage?

  Nogueira, A. M. M. M., 2016, p. 26. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  • Musical Heritage 100%
  • Conservators 82%
  • Conservation 39%
  • Art 36%
  • Artwork 35%

• O papel da música na representação de poder da monarquia quinhentista portuguesa: a partida e a viagem de D. Maria, Princesa das Astúrias

  Oliveira, M. M. D., 8 Nov 2018, p. 50-50. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  13 Downloads (Pure)

• O património sonoro da Ordem de Cristo nas visitações do século XVI na região de Castelo Branco

  Correia Castilho, L., 2018, p. 61-62. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  13 Downloads (Pure)

• Opera on the Horizon of Postminimalism

  Novak, J., 2015.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Opera 100%
  • Minimalist 27%
  • Janet Cardiff 21%
  • Invisible Cities 18%
  • Minimalism 14%
  15 Downloads (Pure)

• O Perfil de Palmira Bastos como Atriz-Cantora nos Espetáculos Músico-Teatrais na Passagem do Século XIX para o XX

  Portela, Â. C. H., Nov 2017, p. 5-6. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  2 Downloads (Pure)

• O periódico A Arte Musical (1899-1915) e o discurso sobre música sinfónica em Portugal no limiar do século XX

  Santos, L. M. L. D., 2015, p. 31-32.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  2 Downloads (Pure)

• O periódico musical Amphion e o discurso sobre música sinfónica em Portugal em finais do século XIX

  Santos, L. M. L. D., 2015. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  3 Downloads (Pure)

• Organists and Organ Builders: mutual influences between Frei José Marques e Silva and António Xavier Machado e Cerveira

  Vaz, J., 2018, p. 78-78. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Organist 100%
  • Builders 73%
  • Organs 57%
  • Chapel 28%
  • Te Deum 24%

• O Rio de Janeiro em palco: “imagens sonoras” da capital do Império na opereta de final do século XIX

  Cymbron, L. M. O. R., Oct 2017, p. 13-14. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  5 Downloads (Pure)

• Orphée, música e caricatura em Le Verfügbar aux Enfers: opereta de Germaine Tillion escrita em Ravensbrück

  Brinca, A. M. V. E., 2015, p. 5. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  23 Downloads (Pure)

• Os Espelhos quinhentistas de Francisco de Moçon: do discurso sobre música às práticas e sociabilidades musicais

  Oliveira, M. M. D., 2015, p. 35-36. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  1 Downloads (Pure)

• O silenciamento das práticas musicais femininas na corte portuguesa, nas narrativas históricas e culturais

  Oliveira, M. M. D., 2014.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  5 Downloads (Pure)

• Os livros de coro da Catedral de Sevilha: aspectos da tradição melódica

  Veiga, D. M. P. C. A. D., 2016, p. 14.

  Research output: Contribution to conference › Abstract › peer-review

• O som solene da morte: a sonoridade ritual e o cerimonial fúnebre por D. João V realizado na cidade de Évora (1750)

  Paula, R. T. D., Oct 2017, p. 25-26. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  5 Downloads (Pure)

• O teatro da sociedade: o público nos teatros de Lisboa, Vila Rica e Rio de Janeiro durante o reinado de D. Maria I

  Brescia, R. M., 2016, p. 48. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• O teatro é o oásis do folhetinista: entre Camilo Castelo Branco e o Teatro de São João na imprensa

  Carvalho, B., Mar 2017, p. 1. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  18 Downloads (Pure)

• Otello de Verdi numa encenação de Walter Fensenstein (1969)

  Carvalho, M. A. P. V., 2014.

  Research output: Contribution to conference › Abstract

• O vilancico na obra de Manuel de Tavares: ontem e hoje

  Castilho, L., 2015, p. 32. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  1 Downloads (Pure)

• O violino no repertório a solo e música de câmara de Fernando Lopes-Graça: estudos de técnica e de interpretação

  Donkova, L., 2015, p. 68. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  13 Downloads (Pure)

• Paisagens audiovisuais na construção do quotidiano: música e media no século XXI

  Gomes-Ribeiro, P., Nov 2017, p. 78. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  4 Downloads (Pure)

• Paisagens vocais: O canto em coro na infância

  Marinho, T., Nov 2017, p. 58. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  5 Downloads (Pure)

• Paper Types and Copyists in Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 66. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Copyists 100%
  • Keyboard music 80%
  • Compilation 49%
  • Vocal music 34%
  • Pedro 30%
  3 Downloads (Pure)

• Paper Types in 17th-and 18th-Century Portuguese Music Manuscripts: Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 18. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Music Manuscripts 100%
  • 18th Century 81%
  • Manuscripts 46%
  • 17th Century 43%
  • Keyboard music 17%
  2 Downloads (Pure)

• Para honra dos professores da capital: a Academia dos Professores de Música, com o título distintivo Melpomenense (1846-1861)

  Pinto, R. M. D. S., 2014.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  8 Downloads (Pure)

• Paratextos, Ekhprasis e significação musical: os poemas sinfónicos [1910-1917] e os sonetos [1918] de João Marcelino Arroio

  Pinto, R. M. D. S., 2014, p. 1.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  4 Downloads (Pure)

• Paris em Lisboa, 1913: sobre o papel das vivências da música na produção de um quotidiano ‘elegante’

  Gomes-Ribeiro, P., 2013, p. 1. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  9 Downloads (Pure)

• Parody and Contrafaction in the Cantigas by Alfonso X

  Ferreira, M. P. R., 20 Jun 2014. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Cantigas 100%
  • Parody 64%
  • Song 48%
  • Kyrie 27%
  • Offertory 26%
  27 Downloads (Pure)

• Passado e presente do vilancico na obra de Tavares

  Correia Castilho, L., 2018, p. 88-89. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  8 Downloads (Pure)

• Pastichada de Bailados Russos: a presença dos Ballets Russes no discurso em torno dos Bailados Portugueses Verde Gaio

  Paula Pinto, R., 2013. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Pequena Vila e suas Óperas: o conceito de “musicando”, de Christopher Small

  Teixeira, A., 2015, p. 105-106. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

• Perceber o corpo pelos ouvidos: a invenção de Laënnec e as técnicas de escuta na prática da medicina

  Fonseca, N., 2016.

  Research output: Contribution to conference › Abstract

• Performing arts for infancy: A video-based research

  Vences, M., Barbosa, M., Pereira, A. I., Rodrigues, P. M. & Rodrigues, H., 2018, p. 27-28. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • infant 100%
  • artist 92%
  • video 88%
  • art 86%
  • non-verbal communication 29%

• Periscópio e Caleidoscópio no projeto GermInArte: Ver mais longe a educação e a arte para a infância através de uma transFormação

  Rodrigues, H., Rodrigues, P. J. F. & Rodrigues, P. M., 2016.

  Research output: Contribution to conference › Abstract

• Persistências da Antiguidade na ópera romântica italiana: as leituras de Bellini, Pacini e Verdi

  Cymbron, L. M. O. R., Feb 2017, p. 32. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  6 Downloads (Pure)

• Perversom? Música, género e sexualidades na pornografia digital

  Durand, J., 2015, p. 54-55. 2 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  7 Downloads (Pure)

• Pessanha em Eurico Carrapatoso: Da "Luz em um país perdido" ao "Cruzeiro do Sul"

  Toscano, M., 2016, p. 34-35. 2 p.

  Research output: Contribution to conference › Abstract

• Phenomenology of Dreams in Philosophical Practice

  Heer, M. J. D. S. D. N., 2014.

  Research output: Contribution to conference › Abstract › peer-review

• Políticas da interpretação no teatro de ópera

  Castro, P. M. R. F. D., 2014.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  6 Downloads (Pure)

• Políticas de género e subjectividade na vida musical: vigiar e punir

  Gomes-Ribeiro, P., 2014.

  Research output: Contribution to conference › Abstract

• Politics and Musical Caricature: The African Colonial Issue in A Paródia

  Fernandes, M., 2018, p. 47-47. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Caricature 100%
  • Musical Iconography 63%
  • Caricaturist 55%
  • Puns 43%
  • Political System 35%

• Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure

  D'Alvarenga, J. P., 2014, p. 9-9.

  Research output: Contribution to conference › Abstract › peer-review

• Portuguese sounding blares from Liberalism to the advent of the Republic: Brass instruments construction in nineteenth-century Lisbon (1834-1890)

  Pinto, R. M. D. S., 2018.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  • Liberalism 100%
  • Brass 87%
  • Lisbon 81%
  • Conservatory 37%
  • Bugle 25%

• Predictors of songs’ tonal achievement when singing with text and neutral syllable

  Pereira, A. I. & Rodrigues, H., Jul 2020, p. 8-8. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • private schools 100%
  • gender 97%
  • regression analysis 91%
  • kindergarten 84%
  • elementary schools 75%
  3 Downloads (Pure)

• Presentation of the project “História Temática da Música em Portugal e no Brasil”

  Ferreira, M. P. R., 2016. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Portugal 100%
  5 Downloads (Pure)

• Processos criativos na música de Constança Capdeville: a importância da parte electrónica.

  Magalhães, F., 11 Nov 2017, p. 102. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File
  9 Downloads (Pure)

• Projeto Musical ‘Na AFID eu sou Feliz!’: Escutar a voz das pessoas com deficiência

  Translated title of the contribution: Musical Project 'At AFID I am Happy!: Listening to the voice of people with disabilities'Lindeza, I., Pereira, A. I., Gama, A. & Arez, A., Dec 2021, p. 102-105. 4 p.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

  File

  • Arte 100%
  • people with disabilities 63%
  • CD 38%
  • performance 14%
  2 Downloads (Pure)

• Projeto Sanfona: terminologia portuguesa dos instrumentos musicais e da sua taxonomia

  Cranmer, D. J., 2018, p. 94-94. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Quem canta seu parto encanta: a musicoterapia e o canto pré-natal como métodos não farmacológicos no trabalho de parto

  Carvalho, M. E. S., 2016.

  Research output: Contribution to conference › Abstract