Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)

Research Output

Research Output per year

2000 2020

• 399 Chapter
• 374 Abstract
• 359 Article
• 213 Performance
• 923 More
  • 206 Paper
  • 144 Book
  • 121 Other contribution
  • 100 Composition
  • 93 Conference contribution
  • 70 Book/Film/Article review
  • 58 Other
  • 32 Digital or Visual Products
  • 15 Review article
  • 11 Poster
  • 9 Entry for encyclopedia/dictionary
  • 9 Conference article
  • 8 Foreword/postscript
  • 8 Editorial
  • 7 Comment/debate
  • 7 Data set/Database
  • 5 Master's Thesis
  • 4 Short survey
  • 3 Working paper
  • 2 Meeting Abstract
  • 2 Special issue
  • 2 Exhibition
  • 2 Doctoral Thesis
  • 1 Commissioned report
  • 1 Other report
  • 1 Other chapter contribution
  • 1 Literature review
  • 1 Web publication/site

Research Output per year

Research Output per year

Search results

• Abstract

  Paper Types and Copyists in Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 66. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Copyists
  • Keyboard music
  • Compilation
  • Vocal music
  • Pedro

• Paper Types in 17th-and 18th-Century Portuguese Music Manuscripts: Braga, Arquivo Distrital, MS 964

  Woolley, A., 2017, p. 18. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Music Manuscripts
  • Eighteenth-century
  • Manuscripts
  • Seventeenth-century
  • Keyboard music

• Para honra dos professores da capital: a Academia dos Professores de Música, com o título distintivo Melpomenense (1846-1861)

  Pinto, R. M. D. S., 2014.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  5 Downloads (Pure)

• Paratextos, Ekhprasis e significação musical: os poemas sinfónicos [1910-1917] e os sonetos [1918] de João Marcelino Arroio

  Pinto, R. M. D. S., 2014, p. 1.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  2 Downloads (Pure)

• Paris em Lisboa, 1913: sobre o papel das vivências da música na produção de um quotidiano ‘elegante’

  Gomes-Ribeiro, P., 2013, p. 1. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  5 Downloads (Pure)

• Parody and Contrafaction in the Cantigas by Alfonso X

  Ferreira, M. P. R., 20 Jun 2014. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Cantigas
  • Parody
  • Kyrie
  • Offertory
  • Cantigas De Santa Maria
  19 Downloads (Pure)

• Passado e presente do vilancico na obra de Tavares

  Correia Castilho, L., 2018, p. 88-89. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Pastichada de Bailados Russos: a presença dos Ballets Russes no discurso em torno dos Bailados Portugueses Verde Gaio

  Paula Pinto, R., 2013. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Pequena Vila e suas Óperas: o conceito de “musicando”, de Christopher Small

  Teixeira, A., 2015, p. 105-106. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Perceber o corpo pelos ouvidos: a invenção de Laënnec e as técnicas de escuta na prática da medicina

  Fonseca, N., 2016.

  Research output: Contribution to conference › Abstract

• Periscópio e Caleidoscópio no projeto GermInArte: Ver mais longe a educação e a arte para a infância através de uma transFormação

  Rodrigues, H., Rodrigues, P. J. F. & Rodrigues, P. M., 2016.

  Research output: Contribution to conference › Abstract

• Persistências da Antiguidade na ópera romântica italiana: as leituras de Bellini, Pacini e Verdi

  Cymbron, L. M. O. R., Feb 2017, p. 32. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Perversom? Música, género e sexualidades na pornografia digital

  Durand, J., 2015, p. 54-55. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  2 Downloads (Pure)

• Pessanha em Eurico Carrapatoso: Da "Luz em um país perdido" ao "Cruzeiro do Sul"

  Toscano, M., 2016, p. 34-35. 2 p.

  Research output: Contribution to conference › Abstract

• Phenomenology of Dreams in Philosophical Practice

  Heer, M. J. D. S. D. N., 2014.

  Research output: Contribution to conference › Abstract

• Políticas da interpretação no teatro de ópera

  Castro, P. M. R. F. D., 2014.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  2 Downloads (Pure)

• Políticas de género e subjectividade na vida musical: vigiar e punir

  Gomes-Ribeiro, P., 2014.

  Research output: Contribution to conference › Abstract

• Politics and Musical Caricature: The African Colonial Issue in A Paródia

  Fernandes, M., 2018, p. 47-47. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  • Caricature
  • Musical Iconography
  • Caricaturist
  • Puns
  • Political System

• Portuguese polyphonic settings of the mass for the dead from late 16th and early 17th century: convention and innovation in style and structure

  D'Alvarenga, J. P., 2014, p. 9-9.

  Research output: Contribution to conference › Abstract

• Portuguese sounding blares from Liberalism to the advent of the Republic: Brass instruments construction in nineteenth-century Lisbon (1834-1890)

  Pinto, R. M. D. S., 2018.

  Research output: Contribution to conference › Abstract

  Open Access

  • Liberalism
  • Brass
  • Lisbon
  • Conservatory
  • Bugle

• Presentation of the project “História Temática da Música em Portugal e no Brasil”

  Ferreira, M. P. R., 2016. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Portugal
  2 Downloads (Pure)

• Processos criativos na música de Constança Capdeville: a importância da parte electrónica.

  Magalhães, F., 11 Nov 2017, p. 102. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Projeto Sanfona: terminologia portuguesa dos instrumentos musicais e da sua taxonomia

  Cranmer, D. J., 2018, p. 94-94. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Quem canta seu parto encanta: a musicoterapia e o canto pré-natal como métodos não farmacológicos no trabalho de parto

  Carvalho, M. E. S., 2016.

  Research output: Contribution to conference › Abstract

• Raising teachers’ artistry: variations on the concept of “immersive training” on music for the early years

  Rodrigues, H., 2016.

  Research output: Contribution to conference › Abstract

• Recitativos de salão luso-brasileiros no contexto dos melodramas

  Pacheco, A. J. V., 2018, p. 22-23. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Reenvisioning Tradition: Ideology and Innovation in Early 20th-century Church Music in Serbia and Bulgaria

  Moody, I., 2016, p. 26. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Church music
  • Serbia
  • Bulgaria
  • Ideology
  • Innovation

• Reflexão para uma análise da crítica musical de obras do repertório coral-sinfónico estreadas em Lisboa nas décadas de 1930/1940

  Calado, M. C., 2017, p. 1. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  5 Downloads (Pure)

• Reich Radiohead Rewriting

  Pires, I. M. A. & Jorge, R. P. R. P., 2015. 1 p.

  Research output: Contribution to conference › Abstract

• Reivindicando um logos musical

  Heer, M. J. D. S. D. N., 2014.

  Research output: Contribution to conference › Abstract

• Representações da mulher na imprensa periódica do século XIX

  Artiaga, M. J., 9 Mar 2017.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  1 Downloads (Pure)

• Representações do espetáculo músico-teatral como formas de agência: o caso da Ilustração Portuguesa (1903-1908)

  Gaspar, F., 2017, p. 21. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Retratos de uma Lisboa Musical...

  Caseirão, B., 2016. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  5 Downloads (Pure)

• Revolução e resistência na obra musical de José Mário Branco

  Calado, M. C., 2016, p. 20. 1 p.

  Research output: Contribution to conference › Abstract

• Romantic Affinities? Cavell on Opera, Film, and the Claim of Expression

  Cachopo, J. P., 2014. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Opera Film
  • Music
  • Affinity
  • Opera
  • Cinema
  3 Downloads (Pure)

• Salvini: a vida desconhecida de um artista extraordinário

  Valente, T. S. G., 11 Nov 2017, p. 57-58. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Santa Maria de Terena nas Cantigas de Santa Maria: o contexto cultural e político que levou à presença de um conjunto de milagres portugueses no cancioneiro mariano de Afonso X

  Ramos Lima, M., 2018, p. 55-56. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

• Scribal Habits in the León Antiphoner

  De Luca, E., 2016. 1 p.

  Research output: Contribution to conference › Abstract

  • Habit
  • Scribe
  • Manuscripts
  • Musical Analysis
  • Musical Notation

• Seduções especiais, expressões perturbantes, estranhos sortilégios: Vathek (1913-14) de Luís de Freitas Branco

  Pina, I., Nov 2017, p. 25-26. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Se escuto, só oiço o teu rumor: aspetos do trabalho musical de Fernando Lopes-Graça sobre a poesia de Eugénio de Andrade

  Castro, P. M. R. F. D., 2016, p. 30. 1 p.

  Research output: Contribution to conference › Abstract

• Sereias no Claustro: as freiras musicistas em Portugal e no Brasil segundo o olhar dos viajantes estrangeiros

  Brescia, R. M., 9 Nov 2018, p. 67-68. 2 p.

  Research output: Contribution to conference › Abstract

  Open Access

  • Mermaid
  • Cloister
  • Eighteenth-century
  • Nuns
  • Portugal

• Ser músico em Portugal: a condição social e profissional dos músicos em Lisboa entre o final do Antigo Regime e a implantação do Liberalismo (1750-1853)

  Fernandes, C. & Esposito, F., 2016. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File
  16 Downloads (Pure)

• Shaggy-Dog Minimalism in Operas by Tom Johnson

  Novak, J., 2016. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Minimalism
  • Opera
  • Dog
  • Drawer
  • Music
  4 Downloads (Pure)

• Si amanece, nos vamos: From a Goya print to a new form of usage of guitar multiphonics

  Torres, R., 21 Nov 2018. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  • Guitar
  • Sound
  • Color Tone
  • Artistic Research
  • Pedal

• Simsdieval: A construção híbrida do período medieval num videojogo

  Lima, M., 2016.

  Research output: Contribution to conference › Abstract

  Open Access

  File

• Singing, Ventriloquism and the Body: Performing the Voice in Postopera

  Novak, J., 2015, p. 14. 1 p.

  Research output: Contribution to conference › Abstract

  Open Access

  File

  • Performing Body
  • Ventriloquism
  • Contemporary Opera
  • Opera
  • Laurie Anderson
  10 Downloads (Pure)

• Singing and chanting without words: Repertoire from Manual para a Construção de Jardins Interiores

  Pereira, A. I., Rodrigues, H., Rodrigues, P. J. F. & Silva, P. M. F. R. D., 2019. 1 p.

  Research output: Contribution to conference › Abstract

• Sobre a programação concertística da Orquestra Sinfónica Portuguesa regida por Pedro Blanch (1911-1928)

  Santos, L. M. L. D., 2016, p. 37-38. 1 p.

  Research output: Contribution to conference › Abstract

• Sobre a visibilidade da cultura nos mass media

  Carvalho, M. A. P. V., 2014.

  Research output: Contribution to conference › Abstract

• Sobre jovens e causas: considerações sobre uma performance de “Acordai”, no Brasil

  Lopes, G., 2016.

  Research output: Contribution to conference › Abstract